{"id":{"repo_id":"baylor","oai_identifier":"oai:baylor-ir.tdl.org:2104/7930"},"canonical_url":"https://search.dev.ndltd.org/etd/baylor/oai:baylor-ir.tdl.org:2104/7930","repository":{"repo_id":"baylor","name":"Baylor University","base_url":"https://baylor-ir.tdl.org/server/oai/request"},"display":{"title":"Memory, identity, and farce in carnival mirrors : a director's approach to David Lindsay-Abaire's Fuddy Meers.","abstract":"American playwright David Lindsay-Abaire's central subject of interest is a world turned upside down by hardship and pain. Although commonly labeled a dark farce, Lindsay-Abaire's 1999 play, Fuddy Meers, is haunted by the spirit of medieval folk festivals in its grotesque imagery and subversive laughter. This thesis offers an examination of the social function of laughter in Fuddy Meers and its generic influences. The study details the biography of the playwright, examines his body of work, and offers a complete analysis of the play. It also follows the production process of the Baylor University Theater 2009 staging of the play from conception to performance.","abstract_html":"American playwright David Lindsay-Abaire's central subject of interest is a world turned upside down by hardship and pain. Although commonly labeled a dark farce, Lindsay-Abaire's 1999 play, Fuddy Meers, is haunted by the spirit of medieval folk festivals in its grotesque imagery and subversive laughter. This thesis offers an examination of the social function of laughter in Fuddy Meers and its generic influences. The study details the biography of the playwright, examines his body of work, and offers a complete analysis of the play. 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Contact libraryquestions@baylor.edu for inquiries about permission."],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/2104/7930","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Toten Beard, Deanna M., 1969-"]},{"key":"dc:creator","label":"Author","values":["Buck, Daniel Andrew."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2010-06-23T12:18:59Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2010-06-23T12:18:59Z"]},{"key":"dc:date.issued","label":"Date","values":["2010-05"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Masters"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.F.A."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["Baylor University."]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Fuddy Meers.","Farce.","David Lindsay-Abaire."]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Baylor University works are protected by copyright. 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Although commonly labeled a dark farce, Lindsay-Abaire's 1999 play, Fuddy Meers, is haunted by the spirit of medieval folk festivals in its grotesque imagery and subversive laughter. This thesis offers an examination of the social function of laughter in Fuddy Meers and its generic influences. The study details the biography of the playwright, examines his body of work, and offers a complete analysis of the play. It also follows the production process of the Baylor University Theater 2009 staging of the play from conception to performance."],"dc:format.mimetype":["application/pdf"],"dc:identifier.uri":["https://hdl.handle.net/2104/7930"],"dc:language.iso":["en"],"dc:rights":["Baylor University works are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. Contact libraryquestions@baylor.edu for inquiries about permission."],"dc:subject":["Fuddy Meers.","Farce.","David Lindsay-Abaire."],"dc:title":["Memory, identity, and farce in carnival mirrors : a director's approach to David Lindsay-Abaire's Fuddy Meers."],"dc:type":["Thesis"],"thesis:degree_level":["Masters"],"thesis:degree_name":["M.F.A."],"thesis:institution_name":["Baylor University."]},"updated_at":"2026-07-24T01:08:16Z"}