{"id":{"repo_id":"baylor","oai_identifier":"oai:baylor-ir.tdl.org:2104/4192"},"canonical_url":"https://search.dev.ndltd.org/etd/baylor/oai:baylor-ir.tdl.org:2104/4192","repository":{"repo_id":"baylor","name":"Baylor University","base_url":"https://baylor-ir.tdl.org/server/oai/request"},"display":{"title":"El nuevo historicismo y la otredad en la narrativa contemporánea nicaragüense : el caso de Sergio Ramírez.","abstract":"En la presente tesis se analiza la narrativa nueva-histórica del autor nicaragüense Sergio Ramírez (1942), la cual consideramos como una de las tres tendencias fundamentales de la literatura latinoamericana contemporánea junto con la literatura de mujeres y la narrativa detectivesca. Nuestro análisis, de carácter ecléctico, inclinado hacia la crítica ideológica nuevo-historicista que proponen Fernando Aínsa, María Cristina Pons y Seymour Menton, y que considera la noción del otro propuesta por Renato Martínez Torres, incluye una lectura detallada de tres de las novelas más recientes de Ramírez: Margarita, está linda la mar (1998), Sombras nada más (2002) y Mil y una muertes (2004). Proponemos que estos textos narrativos desafían el discurso absolutista de la historiografía oficial reemplazándolo con las voces del otro, el cual emerge como una figura central de los relatos. Hemos concluido que las novelas consideradas en esta tesis expresan una lucha ideológica entre verdad histórica y ficcionalización histórica que incluye una lucha entre el discurso desatendido del otro y el discurso totalizador de los que ostentan el poder. This thesis analyzes the new historic narrative of Nicaraguan author Sergio Ramírez (1942), a narrative that we consider to be one of the three fundamental tendencies of Latin American contemporary literature along with women's writings and neo-detective narrative. Our analysis, eclectic in nature, leaning towards an ideological neo-historic critique proposed by Fernando Aínsa, Seymour Menton, and María Cristina Pons, and taking into consideration the concept of the other proposed by Renato Martínez Torres, includes a close reading of three recent novels of Ramírez: Margarita, está Linda la mar (1998), Sombras nada más (2002), and Mil y una muertes (2004). We propose that these narrative texts defy the absolutist discourses of official history replacing them with the voices of the other who appears as a central figure of these stories. We conclude that the novels considered in this thesis are an attempt at rewriting history and texts that express ideological differences between the neglected discourses of the other and the totalizing discourses of those in power positions.","abstract_html":"En la presente tesis se analiza la narrativa nueva-histórica del autor nicaragüense Sergio Ramírez (1942), la cual consideramos como una de las tres tendencias fundamentales de la literatura latinoamericana contemporánea junto con la literatura de mujeres y la narrativa detectivesca. Nuestro análisis, de carácter ecléctico, inclinado hacia la crítica ideológica nuevo-historicista que proponen Fernando Aínsa, María Cristina Pons y Seymour Menton, y que considera la noción del otro propuesta por Renato Martínez Torres, incluye una lectura detallada de tres de las novelas más recientes de Ramírez: Margarita, está linda la mar (1998), Sombras nada más (2002) y Mil y una muertes (2004). Proponemos que estos textos narrativos desafían el discurso absolutista de la historiografía oficial reemplazándolo con las voces del otro, el cual emerge como una figura central de los relatos. Hemos concluido que las novelas consideradas en esta tesis expresan una lucha ideológica entre verdad histórica y ficcionalización histórica que incluye una lucha entre el discurso desatendido del otro y el discurso totalizador de los que ostentan el poder. This thesis analyzes the new historic narrative of Nicaraguan author Sergio Ramírez (1942), a narrative that we consider to be one of the three fundamental tendencies of Latin American contemporary literature along with women's writings and neo-detective narrative. Our analysis, eclectic in nature, leaning towards an ideological neo-historic critique proposed by Fernando Aínsa, Seymour Menton, and María Cristina Pons, and taking into consideration the concept of the other proposed by Renato Martínez Torres, includes a close reading of three recent novels of Ramírez: Margarita, está Linda la mar (1998), Sombras nada más (2002), and Mil y una muertes (2004). We propose that these narrative texts defy the absolutist discourses of official history replacing them with the voices of the other who appears as a central figure of these stories. We conclude that the novels considered in this thesis are an attempt at rewriting history and texts that express ideological differences between the neglected discourses of the other and the totalizing discourses of those in power positions.","abstract_has_math":false,"creators":["Tipton, Keny Elizabeth."],"institution":"Baylor University.","degree_name":"M.A.","degree_level":"Masters","degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["García-Corales, Guillermo."],"committee_chairs":[],"committee_members":[],"year":2006,"date_issued":"2006-07","date_published":"2006-07","updated_at":"2026-07-24T01:08:10Z","subjects":["Latin American literature -- 20th century.","Latin American literature -- 21st century.","Other (Philosophy) -- Latin America."],"languages":["es"],"rights":["Baylor University works are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. Contact libraryquestions@baylor.edu for inquiries about permission."],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/2104/4192","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["García-Corales, Guillermo."]},{"key":"dc:creator","label":"Author","values":["Tipton, Keny Elizabeth."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2006-07-30T14:06:16Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2006-07-30T14:06:16Z"]},{"key":"dc:date.issued","label":"Date","values":["2006-07"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Masters"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.A."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["Baylor University."]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Latin American literature -- 20th century.","Latin American literature -- 21st century.","Other (Philosophy) -- Latin America."]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["es"]},{"key":"dc:rights","label":"Dc Rights","values":["Baylor University works are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. Contact libraryquestions@baylor.edu for inquiries about permission."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://hdl.handle.net/2104/4192"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["En la presente tesis se analiza la narrativa nueva-histórica del autor nicaragüense Sergio Ramírez (1942), la cual consideramos como una de las tres tendencias fundamentales de la literatura latinoamericana contemporánea junto con la literatura de mujeres y la narrativa detectivesca. Nuestro análisis, de carácter ecléctico, inclinado hacia la crítica ideológica nuevo-historicista que proponen Fernando Aínsa, María Cristina Pons y Seymour Menton, y que considera la noción del otro propuesta por Renato Martínez Torres, incluye una lectura detallada de tres de las novelas más recientes de Ramírez: Margarita, está linda la mar (1998), Sombras nada más (2002) y Mil y una muertes (2004). Proponemos que estos textos narrativos desafían el discurso absolutista de la historiografía oficial reemplazándolo con las voces del otro, el cual emerge como una figura central de los relatos. Hemos concluido que las novelas consideradas en esta tesis expresan una lucha ideológica entre verdad histórica y ficcionalización histórica que incluye una lucha entre el discurso desatendido del otro y el discurso totalizador de los que ostentan el poder. This thesis analyzes the new historic narrative of Nicaraguan author Sergio Ramírez (1942), a narrative that we consider to be one of the three fundamental tendencies of Latin American contemporary literature along with women's writings and neo-detective narrative. Our analysis, eclectic in nature, leaning towards an ideological neo-historic critique proposed by Fernando Aínsa, Seymour Menton, and María Cristina Pons, and taking into consideration the concept of the other proposed by Renato Martínez Torres, includes a close reading of three recent novels of Ramírez: Margarita, está Linda la mar (1998), Sombras nada más (2002), and Mil y una muertes (2004). We propose that these narrative texts defy the absolutist discourses of official history replacing them with the voices of the other who appears as a central figure of these stories. We conclude that the novels considered in this thesis are an attempt at rewriting history and texts that express ideological differences between the neglected discourses of the other and the totalizing discourses of those in power positions."]},{"key":"dc:format.mimetype","label":"Dc Format Mimetype","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["El nuevo historicismo y la otredad en la narrativa contemporánea nicaragüense : el caso de Sergio Ramírez."]}]}],"canonical_facts":{"dc:contributor.advisor":["García-Corales, Guillermo."],"dc:creator":["Tipton, Keny Elizabeth."],"dc:date.accessioned":["2006-07-30T14:06:16Z"],"dc:date.available":["2006-07-30T14:06:16Z"],"dc:date.issued":["2006-07"],"dc:description.abstract":["En la presente tesis se analiza la narrativa nueva-histórica del autor nicaragüense Sergio Ramírez (1942), la cual consideramos como una de las tres tendencias fundamentales de la literatura latinoamericana contemporánea junto con la literatura de mujeres y la narrativa detectivesca. Nuestro análisis, de carácter ecléctico, inclinado hacia la crítica ideológica nuevo-historicista que proponen Fernando Aínsa, María Cristina Pons y Seymour Menton, y que considera la noción del otro propuesta por Renato Martínez Torres, incluye una lectura detallada de tres de las novelas más recientes de Ramírez: Margarita, está linda la mar (1998), Sombras nada más (2002) y Mil y una muertes (2004). Proponemos que estos textos narrativos desafían el discurso absolutista de la historiografía oficial reemplazándolo con las voces del otro, el cual emerge como una figura central de los relatos. Hemos concluido que las novelas consideradas en esta tesis expresan una lucha ideológica entre verdad histórica y ficcionalización histórica que incluye una lucha entre el discurso desatendido del otro y el discurso totalizador de los que ostentan el poder. This thesis analyzes the new historic narrative of Nicaraguan author Sergio Ramírez (1942), a narrative that we consider to be one of the three fundamental tendencies of Latin American contemporary literature along with women's writings and neo-detective narrative. Our analysis, eclectic in nature, leaning towards an ideological neo-historic critique proposed by Fernando Aínsa, Seymour Menton, and María Cristina Pons, and taking into consideration the concept of the other proposed by Renato Martínez Torres, includes a close reading of three recent novels of Ramírez: Margarita, está Linda la mar (1998), Sombras nada más (2002), and Mil y una muertes (2004). We propose that these narrative texts defy the absolutist discourses of official history replacing them with the voices of the other who appears as a central figure of these stories. We conclude that the novels considered in this thesis are an attempt at rewriting history and texts that express ideological differences between the neglected discourses of the other and the totalizing discourses of those in power positions."],"dc:format.mimetype":["application/pdf"],"dc:identifier.uri":["https://hdl.handle.net/2104/4192"],"dc:language.iso":["es"],"dc:rights":["Baylor University works are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. Contact libraryquestions@baylor.edu for inquiries about permission."],"dc:subject":["Latin American literature -- 20th century.","Latin American literature -- 21st century.","Other (Philosophy) -- Latin America."],"dc:title":["El nuevo historicismo y la otredad en la narrativa contemporánea nicaragüense : el caso de Sergio Ramírez."],"dc:type":["Thesis"],"thesis:degree_level":["Masters"],"thesis:degree_name":["M.A."],"thesis:institution_name":["Baylor University."]},"updated_at":"2026-07-24T01:08:10Z"}