Abstract
dc:description.abstractCuban Alleluia is a concerto for piano and orchestra written in three movements. These movements are based on the rhythmic pattern of the ‘Cuban Cinquillo’, which recurs throughout the piece, creating a sense of unity among its various sections. The piece is intended as a hymn of praise to God, while evoking the rhythms and sonorities of Cuban music from a contemporary perspective. This article focuses on the musical and contextual analysis of the piano concerto Cuban Alleluia. The figures were extracted from the original score, and the analysis was conducted by the composer.
Degree
thesis:*- Name thesis:degree_name
- M.M.
- Level thesis:degree_level
- Masters
- Grantor
- Baylor University.
- Year dc:date.issued
- 2026
Author and committee
dc:creator, dc:contributor.*- Author dc:creator
-
- Garcia Pelegrin, Victor J., 1986-
- Advisor dc:contributor.advisor
-
- McAllister, Scott.
Subjects
dc:subject × 1Rights
dc:rights- Statement dc:rights
-
- Baylor University works are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. Contact libraryquestions@baylor.edu for inquiries about permission.
- Language dc:language.iso
- en
Identifiers
dc:identifier.*- Handle dc:identifier.uri
- https://hdl.handle.net/2104/14843
- OAI identifier oai:identifier
- oai:baylor-ir.tdl.org:2104/14843