{"id":{"repo_id":"baylor","oai_identifier":"oai:baylor-ir.tdl.org:2104/14813"},"canonical_url":"https://search.dev.ndltd.org/etd/baylor/oai:baylor-ir.tdl.org:2104/14813","repository":{"repo_id":"baylor","name":"Baylor University","base_url":"https://baylor-ir.tdl.org/server/oai/request"},"display":{"title":"Finding the goddess within : the goddess archetype in Margaret Atwood&apos;s Surfacing, The Handmaid&apos;s Tale, and The Robber Bride.","abstract":"Jean Shinoda Bolen offers a psychoanalytic theory suggesting that Greek goddesses can act as archetypal bridges between modern woman and the primordial feminine. An examination of Margaret Atwood&apos;s novels using Bolen&apos;s theory reveals the development of women&apos;s search for unification with the Goddess archetype. In Surfacing, Atwood&apos;s narrator attempts to return to a pre-patriarchal period when the Goddess was a unified whole, but discovers that the ancient archetype is silent. The Handmaid&apos;s Tale details the dangers inherent in women&apos;s succumbing completely to socially-imposed stereotypes. The three heroines of The Robber Bride recognize their individual dominant archetypal patterns and join those patterns together, making it possible to balance their internal forces with those of society. Atwood&apos;s novels offer women a guide for healing the fragmentation of the inner forces of their psyches with those of their external society.","abstract_html":"Jean Shinoda Bolen offers a psychoanalytic theory suggesting that Greek goddesses can act as archetypal bridges between modern woman and the primordial feminine. An examination of Margaret Atwood&amp;apos;s novels using Bolen&amp;apos;s theory reveals the development of women&amp;apos;s search for unification with the Goddess archetype. 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