{"id":{"repo_id":"baylor","oai_identifier":"oai:baylor-ir.tdl.org:2104/12817"},"canonical_url":"https://search.dev.ndltd.org/etd/baylor/oai:baylor-ir.tdl.org:2104/12817","repository":{"repo_id":"baylor","name":"Baylor University","base_url":"https://baylor-ir.tdl.org/server/oai/request"},"display":{"title":"Musical semiotics and color : contextual roles of color in Scriabin and Schoenberg.","abstract":"Stemming from the larger topic of multimedia, this thesis examines the interrelation of music and color. Color will be explored as a metaphysical entity—beyond visual or aural connotations—as a symbol for inner reality beyond time and space. This analysis will be achieved through the primary case study of Alexander Scriabin's symphony Prometheus: Poem of Fire (1911), as well as an in-depth overview of Arnold Schoenberg's synesthetic music drama Die glückliche Hand (1913). With both of these case studies color takes on a unique semiotic role, applying its metaphysical potential to engender a transcendent reality. These pieces not only show potential uses of color as a symbol to demonstrate inner reality beyond time and space; they also reflect roles—in counterpoint and synthesis—illustrating the changing cultural concept of color, and, by extension, the evolution of semiotic intuition.","abstract_html":"Stemming from the larger topic of multimedia, this thesis examines the interrelation of music and color. Color will be explored as a metaphysical entity—beyond visual or aural connotations—as a symbol for inner reality beyond time and space. This analysis will be achieved through the primary case study of Alexander Scriabin's symphony Prometheus: Poem of Fire (1911), as well as an in-depth overview of Arnold Schoenberg's synesthetic music drama Die glückliche Hand (1913). With both of these case studies color takes on a unique semiotic role, applying its metaphysical potential to engender a transcendent reality. These pieces not only show potential uses of color as a symbol to demonstrate inner reality beyond time and space; they also reflect roles—in counterpoint and synthesis—illustrating the changing cultural concept of color, and, by extension, the evolution of semiotic intuition.","abstract_has_math":false,"creators":["Johnson, Maya C., 1998-"],"institution":"Baylor University.","degree_name":"M.M.","degree_level":"Masters","degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Colman, Alfredo."],"committee_chairs":[],"committee_members":[],"year":2023,"date_issued":"2023-08","date_published":"2023-08","updated_at":"2026-07-24T01:08:21Z","subjects":["Semiotics.","Color-music.","Scriabin.","Schoenberg.","Multimedia.","Saariaho.","Symbolists.","Theosophists."],"languages":["en"],"rights":["Baylor University works are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. 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With both of these case studies color takes on a unique semiotic role, applying its metaphysical potential to engender a transcendent reality. These pieces not only show potential uses of color as a symbol to demonstrate inner reality beyond time and space; they also reflect roles—in counterpoint and synthesis—illustrating the changing cultural concept of color, and, by extension, the evolution of semiotic intuition."]},{"key":"dc:format.mimetype","label":"Dc Format Mimetype","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Musical semiotics and color : contextual roles of color in Scriabin and Schoenberg."]}]}],"canonical_facts":{"dc:contributor.advisor":["Colman, Alfredo."],"dc:creator":["Johnson, Maya C., 1998-"],"dc:date.accessioned":["2024-07-17T14:05:50Z"],"dc:date.available":["2024-07-17T14:05:50Z"],"dc:date.issued":["2023-08"],"dc:description.abstract":["Stemming from the larger topic of multimedia, this thesis examines the interrelation of music and color. Color will be explored as a metaphysical entity—beyond visual or aural connotations—as a symbol for inner reality beyond time and space. This analysis will be achieved through the primary case study of Alexander Scriabin's symphony Prometheus: Poem of Fire (1911), as well as an in-depth overview of Arnold Schoenberg's synesthetic music drama Die glückliche Hand (1913). With both of these case studies color takes on a unique semiotic role, applying its metaphysical potential to engender a transcendent reality. These pieces not only show potential uses of color as a symbol to demonstrate inner reality beyond time and space; they also reflect roles—in counterpoint and synthesis—illustrating the changing cultural concept of color, and, by extension, the evolution of semiotic intuition."],"dc:format.mimetype":["application/pdf"],"dc:identifier.uri":["https://hdl.handle.net/2104/12817"],"dc:language.iso":["en"],"dc:rights":["Baylor University works are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. 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