{"id":{"repo_id":"baylor","oai_identifier":"oai:baylor-ir.tdl.org:2104/12360"},"canonical_url":"https://search.dev.ndltd.org/etd/baylor/oai:baylor-ir.tdl.org:2104/12360","repository":{"repo_id":"baylor","name":"Baylor University","base_url":"https://baylor-ir.tdl.org/server/oai/request"},"display":{"title":"¡Viva la Raza! : using audience reception theory to identify the American hegemonic influences of early Mechicana/o theatre.","abstract":"Using audience reception theory, the aim of this work is to determine the factors that manipulated and influenced the experience and success of the musical Zoot Suit. Whilst studying archival records of the production's reviews, this essay will also analyze the influence the media and newspapers had on how the musical was received and whether these outlets determined the success of Luis Valdez's work. Finally, this research will analyze and compare the Spanish press coverage and the English press coverage with the hypothesis that due to the lack of attention the Spanish press gave to the musical Zoot Suit, the ideology of the presence of an absence is considered to be a possible factor contributing to the failure of the musical in New York.","abstract_html":"Using audience reception theory, the aim of this work is to determine the factors that manipulated and influenced the experience and success of the musical Zoot Suit. Whilst studying archival records of the production's reviews, this essay will also analyze the influence the media and newspapers had on how the musical was received and whether these outlets determined the success of Luis Valdez's work. Finally, this research will analyze and compare the Spanish press coverage and the English press coverage with the hypothesis that due to the lack of attention the Spanish press gave to the musical Zoot Suit, the ideology of the presence of an absence is considered to be a possible factor contributing to the failure of the musical in New York.","abstract_has_math":false,"creators":["Alvarez, Haley Anissa, 1998-"],"institution":"Baylor University.","degree_name":"M.A.","degree_level":"Masters","degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Jortner, David, 1971-"],"committee_chairs":[],"committee_members":[],"year":2022,"date_issued":"2022-08","date_published":"2022-08","updated_at":"2026-07-24T01:07:49Z","subjects":["Zoot Suit.","Chicano theatre.","Luis Valdez."],"languages":["en"],"rights":["Baylor University works are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. Contact libraryquestions@baylor.edu for inquiries about permission."],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/2104/12360","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Jortner, David, 1971-"]},{"key":"dc:creator","label":"Author","values":["Alvarez, Haley Anissa, 1998-"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2023-09-21T13:25:03Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2023-09-21T13:25:03Z"]},{"key":"dc:date.issued","label":"Date","values":["2022-08"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Masters"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.A."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["Baylor University."]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Zoot Suit.","Chicano theatre.","Luis Valdez."]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Baylor University works are protected by copyright. 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Finally, this research will analyze and compare the Spanish press coverage and the English press coverage with the hypothesis that due to the lack of attention the Spanish press gave to the musical Zoot Suit, the ideology of the presence of an absence is considered to be a possible factor contributing to the failure of the musical in New York."]},{"key":"dc:format.mimetype","label":"Dc Format Mimetype","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["¡Viva la Raza! : using audience reception theory to identify the American hegemonic influences of early Mechicana/o theatre."]}]}],"canonical_facts":{"dc:contributor.advisor":["Jortner, David, 1971-"],"dc:creator":["Alvarez, Haley Anissa, 1998-"],"dc:date.accessioned":["2023-09-21T13:25:03Z"],"dc:date.available":["2023-09-21T13:25:03Z"],"dc:date.issued":["2022-08"],"dc:description.abstract":["Using audience reception theory, the aim of this work is to determine the factors that manipulated and influenced the experience and success of the musical Zoot Suit. Whilst studying archival records of the production's reviews, this essay will also analyze the influence the media and newspapers had on how the musical was received and whether these outlets determined the success of Luis Valdez's work. Finally, this research will analyze and compare the Spanish press coverage and the English press coverage with the hypothesis that due to the lack of attention the Spanish press gave to the musical Zoot Suit, the ideology of the presence of an absence is considered to be a possible factor contributing to the failure of the musical in New York."],"dc:format.mimetype":["application/pdf"],"dc:identifier.uri":["https://hdl.handle.net/2104/12360"],"dc:language.iso":["en"],"dc:rights":["Baylor University works are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. 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