{"id":{"repo_id":"auckland-tech","oai_identifier":"oai:openrepository.aut.ac.nz:10292/5982"},"canonical_url":"https://search.dev.ndltd.org/etd/auckland-tech/oai:openrepository.aut.ac.nz:10292/5982","repository":{"repo_id":"auckland-tech","name":"AUT University","base_url":"https://openrepository.aut.ac.nz/server/oai/request"},"display":{"title":"The Irreverent Form","abstract":"This is a practiced based research project that inquires into the language of contemporary abstract painting. My painting practice focuses on questions around the renewal and repetition of historical forms. Examining the re-calibration of everyday imagery into a studio context while delimiting previous concerns regarding painting technique, work ethic and the provisional. The objective in this investigation is to gain further understanding of my own studio methodology. I outline the processes and strategies that successfully generate painted forms with a relationship to current dialogues in abstract painting.","abstract_html":"This is a practiced based research project that inquires into the language of contemporary abstract painting. My painting practice focuses on questions around the renewal and repetition of historical forms. Examining the re-calibration of everyday imagery into a studio context while delimiting previous concerns regarding painting technique, work ethic and the provisional. The objective in this investigation is to gain further understanding of my own studio methodology. I outline the processes and strategies that successfully generate painted forms with a relationship to current dialogues in abstract painting.","abstract_has_math":false,"creators":["Mills, Rohan Hartley"],"institution":null,"degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2013,"date_issued":"2013","date_published":"2013","updated_at":"2026-07-27T18:46:03Z","subjects":["Painting","Contemporary At","Art"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["hdl:10292/5982"],"render_values":[{"text":"hdl:10292/5982","href":null,"code":true}]}]},"links":{"outbound_url":null,"outbound_label":null,"outbound_source":null},"metadata_groups":[{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.issued","label":"Date","values":["2013"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Painting","Contemporary At","Art"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["hdl:10292/5982"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.other","label":"Dc Description Other","values":["This is a practiced based research project that inquires into the language of contemporary abstract painting. My painting practice focuses on questions around the renewal and repetition of historical forms. Examining the re-calibration of everyday imagery into a studio context while delimiting previous concerns regarding painting technique, work ethic and the provisional. The objective in this investigation is to gain further understanding of my own studio methodology. I outline the processes and strategies that successfully generate painted forms with a relationship to current dialogues in abstract painting."]},{"key":"dc:title","label":"Title","values":["The Irreverent Form"]}]}],"canonical_facts":{"dc:date.issued":["2013"],"dc:description.other":["This is a practiced based research project that inquires into the language of contemporary abstract painting. My painting practice focuses on questions around the renewal and repetition of historical forms. Examining the re-calibration of everyday imagery into a studio context while delimiting previous concerns regarding painting technique, work ethic and the provisional. The objective in this investigation is to gain further understanding of my own studio methodology. I outline the processes and strategies that successfully generate painted forms with a relationship to current dialogues in abstract painting."],"dc:identifier":["hdl:10292/5982"],"dc:subject":["Painting","Contemporary At","Art"],"dc:title":["The Irreverent Form"],"dc:type":["Thesis"]},"updated_at":"2026-07-27T18:46:03Z"}