{"id":{"repo_id":"auckland-tech","oai_identifier":"oai:openrepository.aut.ac.nz:10292/5493"},"canonical_url":"https://search.dev.ndltd.org/etd/auckland-tech/oai:openrepository.aut.ac.nz:10292/5493","repository":{"repo_id":"auckland-tech","name":"AUT University","base_url":"https://openrepository.aut.ac.nz/server/oai/request"},"display":{"title":"Re-Conceptualising Ornamentation Within a Fine Art Painting Practice","abstract":"This thesis project explores the artistic potential for ornamentation by re-conceptualising and re contextualising it through a fine art painting practice. It seeks to place ornamentation as a valid, viable and contemporary subject and critiques the historical debasement of ornamentation within progressive fine art contexts, in particular the developmental history of western aesthetics. A practice-based research approach is taken using the medium of paint.","abstract_html":"This thesis project explores the artistic potential for ornamentation by re-conceptualising and re contextualising it through a fine art painting practice. It seeks to place ornamentation as a valid, viable and contemporary subject and critiques the historical debasement of ornamentation within progressive fine art contexts, in particular the developmental history of western aesthetics. A practice-based research approach is taken using the medium of paint.","abstract_has_math":false,"creators":["Sutcliffe, Pearl"],"institution":null,"degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2004,"date_issued":"2004","date_published":"2004","updated_at":"2026-07-27T18:45:53Z","subjects":["Ornamentation","Floral pattern"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["hdl:10292/5493"],"render_values":[{"text":"hdl:10292/5493","href":null,"code":true}]}]},"links":{"outbound_url":null,"outbound_label":null,"outbound_source":null},"metadata_groups":[{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.issued","label":"Date","values":["2004"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Ornamentation","Floral pattern"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["hdl:10292/5493"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.other","label":"Dc Description Other","values":["This thesis project explores the artistic potential for ornamentation by re-conceptualising and re contextualising it through a fine art painting practice. It seeks to place ornamentation as a valid, viable and contemporary subject and critiques the historical debasement of ornamentation within progressive fine art contexts, in particular the developmental history of western aesthetics. A practice-based research approach is taken using the medium of paint."]},{"key":"dc:title","label":"Title","values":["Re-Conceptualising Ornamentation Within a Fine Art Painting Practice"]}]}],"canonical_facts":{"dc:date.issued":["2004"],"dc:description.other":["This thesis project explores the artistic potential for ornamentation by re-conceptualising and re contextualising it through a fine art painting practice. It seeks to place ornamentation as a valid, viable and contemporary subject and critiques the historical debasement of ornamentation within progressive fine art contexts, in particular the developmental history of western aesthetics. A practice-based research approach is taken using the medium of paint."],"dc:identifier":["hdl:10292/5493"],"dc:subject":["Ornamentation","Floral pattern"],"dc:title":["Re-Conceptualising Ornamentation Within a Fine Art Painting Practice"],"dc:type":["Thesis"]},"updated_at":"2026-07-27T18:45:53Z"}