{"id":{"repo_id":"auckland-tech","oai_identifier":"oai:openrepository.aut.ac.nz:10292/4746"},"canonical_url":"https://search.dev.ndltd.org/etd/auckland-tech/oai:openrepository.aut.ac.nz:10292/4746","repository":{"repo_id":"auckland-tech","name":"AUT University","base_url":"https://openrepository.aut.ac.nz/server/oai/request"},"display":{"title":"Reversed Painting: Faktura and Autopoietic System","abstract":"My research proposes a practice-based investigation about painting and the establishment of a system of painting. An engagement with material and medium procedures, as the primary constituents of painting, will be explored through a concept of faktura. The idea of the system is underpinned by a notion of autopoiesis. Autopoiesis is explored as a self-generative process based as a way to derive method and structural organisation from its own making through its own lived experience. Faktura's link to modern materials and processes uncovered a dialogue within the system between painting and digital imaging. The digital imaging served as a means of re-presenting reality. From this position the investigation opened up the opportunity for painting not to be bound to re-presenting reality. It allowed for the emergence of the new - painting's inception from itself as itself as the point of departure and return. The painting surface could be considered the place of expansion and contraction for the proposition of a new painting’s emergence - painting derived from material, medium and method reflecting autopoiesis as the means.","abstract_html":"My research proposes a practice-based investigation about painting and the establishment of a system of painting. An engagement with material and medium procedures, as the primary constituents of painting, will be explored through a concept of faktura. The idea of the system is underpinned by a notion of autopoiesis. Autopoiesis is explored as a self-generative process based as a way to derive method and structural organisation from its own making through its own lived experience. Faktura's link to modern materials and processes uncovered a dialogue within the system between painting and digital imaging. The digital imaging served as a means of re-presenting reality. From this position the investigation opened up the opportunity for painting not to be bound to re-presenting reality. It allowed for the emergence of the new - painting's inception from itself as itself as the point of departure and return. The painting surface could be considered the place of expansion and contraction for the proposition of a new painting’s emergence - painting derived from material, medium and method reflecting autopoiesis as the means.","abstract_has_math":false,"creators":["Farquhar, Andrew Hamish"],"institution":"Auckland University of Technology","degree_name":"Master of Art and Design","degree_level":"Masters Theses","degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Fitchett, Dale","Clark, Simon"],"committee_chairs":[],"committee_members":[],"year":2012,"date_issued":"2012","date_published":"2012","updated_at":"2026-08-21T16:42:05Z","subjects":["Autopoiesis","Painting","Faktura"],"languages":["en"],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["hdl:10292/4746"],"render_values":[{"text":"hdl:10292/4746","href":null,"code":true}]}]},"links":{"outbound_url":"https://hdl.handle.net/10292/4746","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"source_record":{"url":"https://openrepository.aut.ac.nz/server/oai/request?verb=GetRecord&metadataPrefix=dim&identifier=oai%3Aopenrepository.aut.ac.nz%3A10292%2F4746","prefix":"dim"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Fitchett, Dale","Clark, Simon"]},{"key":"dc:creator","label":"Author","values":["Farquhar, Andrew Hamish"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2012-11-22T02:38:30Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2012-11-22T02:38:30Z"]},{"key":"dc:date.issued","label":"Date","values":["2012"]},{"key":"dc:publisher","label":"Institution","values":["Auckland University of Technology"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Masters Theses"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Art and Design"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["Auckland University of Technology"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Autopoiesis","Painting","Faktura"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["hdl:10292/4746"]},{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://hdl.handle.net/10292/4746"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["My research proposes a practice-based investigation about painting and the establishment of a system of painting. 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