{"id":{"repo_id":"auckland-tech","oai_identifier":"oai:openrepository.aut.ac.nz:10292/4746"},"canonical_url":"https://search.dev.ndltd.org/etd/auckland-tech/oai:openrepository.aut.ac.nz:10292/4746","repository":{"repo_id":"auckland-tech","name":"AUT University","base_url":"https://openrepository.aut.ac.nz/server/oai/request"},"display":{"title":"Reversed Painting: Faktura and Autopoietic System","abstract":"My research proposes a practice-based investigation about painting and the establishment of a system of painting. An engagement with material and medium procedures, as the primary constituents of painting, will be explored through a concept of faktura. The idea of the system is underpinned by a notion of autopoiesis. Autopoiesis is explored as a self-generative process based as a way to derive method and structural organisation from its own making through its own lived experience. Faktura's link to modern materials and processes uncovered a dialogue within the system between painting and digital imaging. The digital imaging served as a means of re-presenting reality. From this position the investigation opened up the opportunity for painting not to be bound to re-presenting reality. It allowed for the emergence of the new - painting's inception from itself as itself as the point of departure and return. The painting surface could be considered the place of expansion and contraction for the proposition of a new painting’s emergence - painting derived from material, medium and method reflecting autopoiesis as the means.","abstract_html":"My research proposes a practice-based investigation about painting and the establishment of a system of painting. An engagement with material and medium procedures, as the primary constituents of painting, will be explored through a concept of faktura. The idea of the system is underpinned by a notion of autopoiesis. Autopoiesis is explored as a self-generative process based as a way to derive method and structural organisation from its own making through its own lived experience. Faktura's link to modern materials and processes uncovered a dialogue within the system between painting and digital imaging. The digital imaging served as a means of re-presenting reality. From this position the investigation opened up the opportunity for painting not to be bound to re-presenting reality. It allowed for the emergence of the new - painting's inception from itself as itself as the point of departure and return. The painting surface could be considered the place of expansion and contraction for the proposition of a new painting’s emergence - painting derived from material, medium and method reflecting autopoiesis as the means.","abstract_has_math":false,"creators":["Farquhar, Andrew Hamish"],"institution":null,"degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2012,"date_issued":"2012","date_published":"2012","updated_at":"2026-07-27T18:45:44Z","subjects":["Autopoiesis","Painting","Faktura"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["hdl:10292/4746"],"render_values":[{"text":"hdl:10292/4746","href":null,"code":true}]}]},"links":{"outbound_url":null,"outbound_label":null,"outbound_source":null},"metadata_groups":[{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.issued","label":"Date","values":["2012"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Autopoiesis","Painting","Faktura"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["hdl:10292/4746"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.other","label":"Dc Description Other","values":["My research proposes a practice-based investigation about painting and the establishment of a system of painting. An engagement with material and medium procedures, as the primary constituents of painting, will be explored through a concept of faktura. The idea of the system is underpinned by a notion of autopoiesis. Autopoiesis is explored as a self-generative process based as a way to derive method and structural organisation from its own making through its own lived experience. Faktura's link to modern materials and processes uncovered a dialogue within the system between painting and digital imaging. The digital imaging served as a means of re-presenting reality. From this position the investigation opened up the opportunity for painting not to be bound to re-presenting reality. It allowed for the emergence of the new - painting's inception from itself as itself as the point of departure and return. The painting surface could be considered the place of expansion and contraction for the proposition of a new painting’s emergence - painting derived from material, medium and method reflecting autopoiesis as the means."]},{"key":"dc:title","label":"Title","values":["Reversed Painting: Faktura and Autopoietic System"]}]}],"canonical_facts":{"dc:date.issued":["2012"],"dc:description.other":["My research proposes a practice-based investigation about painting and the establishment of a system of painting. An engagement with material and medium procedures, as the primary constituents of painting, will be explored through a concept of faktura. The idea of the system is underpinned by a notion of autopoiesis. Autopoiesis is explored as a self-generative process based as a way to derive method and structural organisation from its own making through its own lived experience. Faktura's link to modern materials and processes uncovered a dialogue within the system between painting and digital imaging. The digital imaging served as a means of re-presenting reality. From this position the investigation opened up the opportunity for painting not to be bound to re-presenting reality. It allowed for the emergence of the new - painting's inception from itself as itself as the point of departure and return. The painting surface could be considered the place of expansion and contraction for the proposition of a new painting’s emergence - painting derived from material, medium and method reflecting autopoiesis as the means."],"dc:identifier":["hdl:10292/4746"],"dc:subject":["Autopoiesis","Painting","Faktura"],"dc:title":["Reversed Painting: Faktura and Autopoietic System"],"dc:type":["Thesis"]},"updated_at":"2026-07-27T18:45:44Z"}