{"id":{"repo_id":"auckland-tech","oai_identifier":"oai:openrepository.aut.ac.nz:10292/4505"},"canonical_url":"https://search.dev.ndltd.org/etd/auckland-tech/oai:openrepository.aut.ac.nz:10292/4505","repository":{"repo_id":"auckland-tech","name":"AUT University","base_url":"https://openrepository.aut.ac.nz/server/oai/request"},"display":{"title":"Shell Seekers","abstract":"Lost and found in translation: Being Madeleine This isn’t my life. This is the “screenplay” (book) I wrote about my life. Janet Frame (and me) Shell Seekers is a coming of age story of a young part ni-Vanuatu woman trying to reconcile her fragmented past. It is a past that is constructed through memory, fantasy and myth; from memories of an idyllic childhood in paradise, to the realities of educational aspirations in New Zealand, a return home permeated by local sweet/souring of Anglophile and Francophile colonial aftertastes, then as a young woman “in the belly of the beast” that is London, looking for a father and answers. A romantic encounter proves to be an eye-opener for Madeleine, who finally discovers that her displaced homeward journey is inevitably circular, and what “home” has become is borne out of memory, love and desire; a place she, literally, cannot “return” to again. Although many original works are often viewed as being semi-autobiographical, all the characters, including the central character of Madeleine Hughes are, in essence, fictions. Shell Seekers, the first ‘completed’ draft, is an original concept.","abstract_html":"Lost and found in translation: Being Madeleine This isn’t my life. This is the “screenplay” (book) I wrote about my life. Janet Frame (and me) Shell Seekers is a coming of age story of a young part ni-Vanuatu woman trying to reconcile her fragmented past. It is a past that is constructed through memory, fantasy and myth; from memories of an idyllic childhood in paradise, to the realities of educational aspirations in New Zealand, a return home permeated by local sweet/souring of Anglophile and Francophile colonial aftertastes, then as a young woman “in the belly of the beast” that is London, looking for a father and answers. A romantic encounter proves to be an eye-opener for Madeleine, who finally discovers that her displaced homeward journey is inevitably circular, and what “home” has become is borne out of memory, love and desire; a place she, literally, cannot “return” to again. Although many original works are often viewed as being semi-autobiographical, all the characters, including the central character of Madeleine Hughes are, in essence, fictions. Shell Seekers, the first ‘completed’ draft, is an original concept.","abstract_has_math":false,"creators":["Colmar, Nicole"],"institution":null,"degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2011,"date_issued":"2011","date_published":"2011","updated_at":"2026-07-27T18:46:03Z","subjects":["Film","Cinema","Communications","Screenwriting","Narrative","South Pacific","Vanuatu","Coming of age"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["hdl:10292/4505"],"render_values":[{"text":"hdl:10292/4505","href":null,"code":true}]}]},"links":{"outbound_url":null,"outbound_label":null,"outbound_source":null},"metadata_groups":[{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.issued","label":"Date","values":["2011"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Film","Cinema","Communications","Screenwriting","Narrative","South Pacific","Vanuatu","Coming of age"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["hdl:10292/4505"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.other","label":"Dc Description Other","values":["Lost and found in translation: Being Madeleine This isn’t my life. This is the “screenplay” (book) I wrote about my life. Janet Frame (and me) Shell Seekers is a coming of age story of a young part ni-Vanuatu woman trying to reconcile her fragmented past. It is a past that is constructed through memory, fantasy and myth; from memories of an idyllic childhood in paradise, to the realities of educational aspirations in New Zealand, a return home permeated by local sweet/souring of Anglophile and Francophile colonial aftertastes, then as a young woman “in the belly of the beast” that is London, looking for a father and answers. A romantic encounter proves to be an eye-opener for Madeleine, who finally discovers that her displaced homeward journey is inevitably circular, and what “home” has become is borne out of memory, love and desire; a place she, literally, cannot “return” to again. Although many original works are often viewed as being semi-autobiographical, all the characters, including the central character of Madeleine Hughes are, in essence, fictions. Shell Seekers, the first ‘completed’ draft, is an original concept."]},{"key":"dc:title","label":"Title","values":["Shell Seekers"]}]}],"canonical_facts":{"dc:date.issued":["2011"],"dc:description.other":["Lost and found in translation: Being Madeleine This isn’t my life. This is the “screenplay” (book) I wrote about my life. Janet Frame (and me) Shell Seekers is a coming of age story of a young part ni-Vanuatu woman trying to reconcile her fragmented past. 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