{"id":{"repo_id":"auckland-tech","oai_identifier":"oai:openrepository.aut.ac.nz:10292/4319"},"canonical_url":"https://search.dev.ndltd.org/etd/auckland-tech/oai:openrepository.aut.ac.nz:10292/4319","repository":{"repo_id":"auckland-tech","name":"AUT University","base_url":"https://openrepository.aut.ac.nz/server/oai/request"},"display":{"title":"The Cut: Refiguring Traditional Chinese Paper-Cutting","abstract":"This research investigates the possibilities of refiguring the traditional art form of Chinese paper-cutting through the concept of kitsch in a contemporary setting. This project aims to expand the creative scope of Chinese paper-cutting by using contemporary design methods and subject matter, suggesting that the craft should not be limited to its traditional material, hand-cut methods, and motifs. The Western concept of kitsch is employed as a guiding principle underpinning the contemporary aesthetics and significance of Chinese paper-cutting. The project also deploys modern popular goods as the research content to address the current ideology of consumption. Using personal examples, I comment on the social phenomenon of excessive consumption of goods in modern everyday life.","abstract_html":"This research investigates the possibilities of refiguring the traditional art form of Chinese paper-cutting through the concept of kitsch in a contemporary setting. This project aims to expand the creative scope of Chinese paper-cutting by using contemporary design methods and subject matter, suggesting that the craft should not be limited to its traditional material, hand-cut methods, and motifs. The Western concept of kitsch is employed as a guiding principle underpinning the contemporary aesthetics and significance of Chinese paper-cutting. The project also deploys modern popular goods as the research content to address the current ideology of consumption. Using personal examples, I comment on the social phenomenon of excessive consumption of goods in modern everyday life.","abstract_has_math":false,"creators":["Fey, Cheng-yi"],"institution":null,"degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2011,"date_issued":"2011","date_published":"2011","updated_at":"2026-07-27T18:46:16Z","subjects":["Chinese paper-cutting","Refigure","Kitsch","Traditional art"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["hdl:10292/4319"],"render_values":[{"text":"hdl:10292/4319","href":null,"code":true}]}]},"links":{"outbound_url":null,"outbound_label":null,"outbound_source":null},"metadata_groups":[{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.issued","label":"Date","values":["2011"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Chinese paper-cutting","Refigure","Kitsch","Traditional art"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["hdl:10292/4319"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.other","label":"Dc Description Other","values":["This research investigates the possibilities of refiguring the traditional art form of Chinese paper-cutting through the concept of kitsch in a contemporary setting. This project aims to expand the creative scope of Chinese paper-cutting by using contemporary design methods and subject matter, suggesting that the craft should not be limited to its traditional material, hand-cut methods, and motifs. The Western concept of kitsch is employed as a guiding principle underpinning the contemporary aesthetics and significance of Chinese paper-cutting. The project also deploys modern popular goods as the research content to address the current ideology of consumption. Using personal examples, I comment on the social phenomenon of excessive consumption of goods in modern everyday life."]},{"key":"dc:title","label":"Title","values":["The Cut: Refiguring Traditional Chinese Paper-Cutting"]}]}],"canonical_facts":{"dc:date.issued":["2011"],"dc:description.other":["This research investigates the possibilities of refiguring the traditional art form of Chinese paper-cutting through the concept of kitsch in a contemporary setting. This project aims to expand the creative scope of Chinese paper-cutting by using contemporary design methods and subject matter, suggesting that the craft should not be limited to its traditional material, hand-cut methods, and motifs. The Western concept of kitsch is employed as a guiding principle underpinning the contemporary aesthetics and significance of Chinese paper-cutting. The project also deploys modern popular goods as the research content to address the current ideology of consumption. Using personal examples, I comment on the social phenomenon of excessive consumption of goods in modern everyday life."],"dc:identifier":["hdl:10292/4319"],"dc:subject":["Chinese paper-cutting","Refigure","Kitsch","Traditional art"],"dc:title":["The Cut: Refiguring Traditional Chinese Paper-Cutting"],"dc:type":["Thesis"]},"updated_at":"2026-07-27T18:46:16Z"}