{"id":{"repo_id":"auckland-tech","oai_identifier":"oai:openrepository.aut.ac.nz:10292/19961"},"canonical_url":"https://search.dev.ndltd.org/etd/auckland-tech/oai:openrepository.aut.ac.nz:10292/19961","repository":{"repo_id":"auckland-tech","name":"AUT University","base_url":"https://openrepository.aut.ac.nz/server/oai/request"},"display":{"title":"Whakaruku: Painting a Love Letter to the Ocean","abstract":"Through painting, I reflect on the introspective and embodied spaces created by sustained engagement with three ancestral oceanic practices: surfing (whakahekengaru), voyaging (hekenga), and diving (ruku). This project was prompted by ongoing relocations, both internationally and within Aotearoa, and grew from a desire to establish continuity and connection across shifting geographical landscapes and cultural dislocations. I examine the historical significance of each practice within te ao Māori and their contemporary reinterpretations in post-colonial Aotearoa today. Employing painted magical realism to construct layered, cross-generational narratives, I emphasise an intimate relationship with the sea as a vessel for linking past, present, and future. I argue that this connection can facilitate whakapapa Māori reconnection, nurture a sense of place, navigate bicultural identity, and foster environmental kinship.","abstract_html":"Through painting, I reflect on the introspective and embodied spaces created by sustained engagement with three ancestral oceanic practices: surfing (whakahekengaru), voyaging (hekenga), and diving (ruku). This project was prompted by ongoing relocations, both internationally and within Aotearoa, and grew from a desire to establish continuity and connection across shifting geographical landscapes and cultural dislocations. I examine the historical significance of each practice within te ao Māori and their contemporary reinterpretations in post-colonial Aotearoa today. Employing painted magical realism to construct layered, cross-generational narratives, I emphasise an intimate relationship with the sea as a vessel for linking past, present, and future. I argue that this connection can facilitate whakapapa Māori reconnection, nurture a sense of place, navigate bicultural identity, and foster environmental kinship.","abstract_has_math":false,"creators":["Belton-Bodsworth, Ngahina"],"institution":null,"degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2025,"date_issued":"2025","date_published":"2025","updated_at":"2026-07-27T18:46:09Z","subjects":[],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["hdl:10292/19961"],"render_values":[{"text":"hdl:10292/19961","href":null,"code":true}]}]},"links":{"outbound_url":null,"outbound_label":null,"outbound_source":null},"metadata_groups":[{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.issued","label":"Date","values":["2025"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["hdl:10292/19961"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.other","label":"Dc Description Other","values":["Through painting, I reflect on the introspective and embodied spaces created by sustained engagement with three ancestral oceanic practices: surfing (whakahekengaru), voyaging (hekenga), and diving (ruku). This project was prompted by ongoing relocations, both internationally and within Aotearoa, and grew from a desire to establish continuity and connection across shifting geographical landscapes and cultural dislocations. I examine the historical significance of each practice within te ao Māori and their contemporary reinterpretations in post-colonial Aotearoa today. Employing painted magical realism to construct layered, cross-generational narratives, I emphasise an intimate relationship with the sea as a vessel for linking past, present, and future. I argue that this connection can facilitate whakapapa Māori reconnection, nurture a sense of place, navigate bicultural identity, and foster environmental kinship."]},{"key":"dc:title","label":"Title","values":["Whakaruku: Painting a Love Letter to the Ocean"]}]}],"canonical_facts":{"dc:date.issued":["2025"],"dc:description.other":["Through painting, I reflect on the introspective and embodied spaces created by sustained engagement with three ancestral oceanic practices: surfing (whakahekengaru), voyaging (hekenga), and diving (ruku). This project was prompted by ongoing relocations, both internationally and within Aotearoa, and grew from a desire to establish continuity and connection across shifting geographical landscapes and cultural dislocations. I examine the historical significance of each practice within te ao Māori and their contemporary reinterpretations in post-colonial Aotearoa today. Employing painted magical realism to construct layered, cross-generational narratives, I emphasise an intimate relationship with the sea as a vessel for linking past, present, and future. I argue that this connection can facilitate whakapapa Māori reconnection, nurture a sense of place, navigate bicultural identity, and foster environmental kinship."],"dc:identifier":["hdl:10292/19961"],"dc:title":["Whakaruku: Painting a Love Letter to the Ocean"],"dc:type":["Thesis"]},"updated_at":"2026-07-27T18:46:09Z"}