{"id":{"repo_id":"auckland-tech","oai_identifier":"oai:openrepository.aut.ac.nz:10292/12251"},"canonical_url":"https://search.dev.ndltd.org/etd/auckland-tech/oai:openrepository.aut.ac.nz:10292/12251","repository":{"repo_id":"auckland-tech","name":"AUT University","base_url":"https://openrepository.aut.ac.nz/server/oai/request"},"display":{"title":"The Process of Immersive Photography: Beyond the Cognitive and the Physical","abstract":"This thesis constitutes a practice-led, artistic research project that asks: What are the issues that must be addressed when photographing land, such that one might express an immersive, embodied, spiritually-attuned relationship between the self and what is recorded? In the study, I suggest that embodiment may reach beyond the cognitive and physical, to engage with a form of ‘living essence’ that embraces a realm of knowing that may be broadly understood as spiritual. When engaging with the land in this dimension the photographer is immersed in a process that involves a communion between the ‘essence of the living self’ and the ‘essence of the living earth’. In conducting the study, I utilise a heuristic inquiry to facilitate a dialectical approach to problem solving. Here practice advances to new understandings that have operative meaning for practical knowledge. In the inquiry I employ a form of reflective field journal where images, poetic writing, technical data and critical thinking enable me to reflect on both a state of immersion and outcomes emanating from the process. The research contributes to current discussions surrounding the manner in which photographers engage with land because the study proposes and unpacks a process of ‘Immersive Photography’ as a conceptual and methodological approach.","abstract_html":"This thesis constitutes a practice-led, artistic research project that asks: What are the issues that must be addressed when photographing land, such that one might express an immersive, embodied, spiritually-attuned relationship between the self and what is recorded? In the study, I suggest that embodiment may reach beyond the cognitive and physical, to engage with a form of ‘living essence’ that embraces a realm of knowing that may be broadly understood as spiritual. When engaging with the land in this dimension the photographer is immersed in a process that involves a communion between the ‘essence of the living self’ and the ‘essence of the living earth’. In conducting the study, I utilise a heuristic inquiry to facilitate a dialectical approach to problem solving. Here practice advances to new understandings that have operative meaning for practical knowledge. In the inquiry I employ a form of reflective field journal where images, poetic writing, technical data and critical thinking enable me to reflect on both a state of immersion and outcomes emanating from the process. The research contributes to current discussions surrounding the manner in which photographers engage with land because the study proposes and unpacks a process of ‘Immersive Photography’ as a conceptual and methodological approach.","abstract_has_math":false,"creators":["Mortensen Steagall, Marcos"],"institution":null,"degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2019,"date_issued":"2019","date_published":"2019","updated_at":"2026-07-27T18:45:47Z","subjects":["Immersion","Embodiment","Landscape Photography","Mauri","Practice-led research"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["hdl:10292/12251"],"render_values":[{"text":"hdl:10292/12251","href":null,"code":true}]}]},"links":{"outbound_url":null,"outbound_label":null,"outbound_source":null},"metadata_groups":[{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.issued","label":"Date","values":["2019"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Immersion","Embodiment","Landscape Photography","Mauri","Practice-led research"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["hdl:10292/12251"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.other","label":"Dc Description Other","values":["This thesis constitutes a practice-led, artistic research project that asks: What are the issues that must be addressed when photographing land, such that one might express an immersive, embodied, spiritually-attuned relationship between the self and what is recorded? In the study, I suggest that embodiment may reach beyond the cognitive and physical, to engage with a form of ‘living essence’ that embraces a realm of knowing that may be broadly understood as spiritual. When engaging with the land in this dimension the photographer is immersed in a process that involves a communion between the ‘essence of the living self’ and the ‘essence of the living earth’. In conducting the study, I utilise a heuristic inquiry to facilitate a dialectical approach to problem solving. Here practice advances to new understandings that have operative meaning for practical knowledge. In the inquiry I employ a form of reflective field journal where images, poetic writing, technical data and critical thinking enable me to reflect on both a state of immersion and outcomes emanating from the process. The research contributes to current discussions surrounding the manner in which photographers engage with land because the study proposes and unpacks a process of ‘Immersive Photography’ as a conceptual and methodological approach."]},{"key":"dc:title","label":"Title","values":["The Process of Immersive Photography: Beyond the Cognitive and the Physical"]}]}],"canonical_facts":{"dc:date.issued":["2019"],"dc:description.other":["This thesis constitutes a practice-led, artistic research project that asks: What are the issues that must be addressed when photographing land, such that one might express an immersive, embodied, spiritually-attuned relationship between the self and what is recorded? In the study, I suggest that embodiment may reach beyond the cognitive and physical, to engage with a form of ‘living essence’ that embraces a realm of knowing that may be broadly understood as spiritual. When engaging with the land in this dimension the photographer is immersed in a process that involves a communion between the ‘essence of the living self’ and the ‘essence of the living earth’. In conducting the study, I utilise a heuristic inquiry to facilitate a dialectical approach to problem solving. Here practice advances to new understandings that have operative meaning for practical knowledge. In the inquiry I employ a form of reflective field journal where images, poetic writing, technical data and critical thinking enable me to reflect on both a state of immersion and outcomes emanating from the process. The research contributes to current discussions surrounding the manner in which photographers engage with land because the study proposes and unpacks a process of ‘Immersive Photography’ as a conceptual and methodological approach."],"dc:identifier":["hdl:10292/12251"],"dc:subject":["Immersion","Embodiment","Landscape Photography","Mauri","Practice-led research"],"dc:title":["The Process of Immersive Photography: Beyond the Cognitive and the Physical"],"dc:type":["Thesis"]},"updated_at":"2026-07-27T18:45:47Z"}