{"id":{"repo_id":"auckland-tech","oai_identifier":"oai:openrepository.aut.ac.nz:10292/11616"},"canonical_url":"https://search.dev.ndltd.org/etd/auckland-tech/oai:openrepository.aut.ac.nz:10292/11616","repository":{"repo_id":"auckland-tech","name":"AUT University","base_url":"https://openrepository.aut.ac.nz/server/oai/request"},"display":{"title":"Women of Color and Religious Mysticism in Southern Gothic","abstract":"The exegesis, Women of Color and Religious Mysticism in Southern Gothic, doesn’t just frame Rituals of the Night but amplifies it, particularly to give silenced voices a chance to speak within the genre. The exegesis explores two major themes present within Rituals of the Night from the very first pages of the first draft – the role and lives of women of color and religious mysticism in Southern Gothic. The exegesis is placed before the creative because Rituals of the Night is atypical and clarity must be sought before it can be read. The creative thesis, Rituals of the Night, conjures forth a Southern gothic story of Louisa, a young black woman, in the Southern United States in the 1940s. Like a periscope, it peers into different ways of living – as a minority, as a white person, as an outsider, as a worshipper. Infused with haunting elements, it takes on the challenge of finding out just what it means to be a woman of color in the white man’s world.","abstract_html":"The exegesis, Women of Color and Religious Mysticism in Southern Gothic, doesn’t just frame Rituals of the Night but amplifies it, particularly to give silenced voices a chance to speak within the genre. The exegesis explores two major themes present within Rituals of the Night from the very first pages of the first draft – the role and lives of women of color and religious mysticism in Southern Gothic. The exegesis is placed before the creative because Rituals of the Night is atypical and clarity must be sought before it can be read. The creative thesis, Rituals of the Night, conjures forth a Southern gothic story of Louisa, a young black woman, in the Southern United States in the 1940s. Like a periscope, it peers into different ways of living – as a minority, as a white person, as an outsider, as a worshipper. Infused with haunting elements, it takes on the challenge of finding out just what it means to be a woman of color in the white man’s world.","abstract_has_math":false,"creators":["Ho, Elizabeth"],"institution":"Auckland University of Technology","degree_name":"Master of Creative Writing","degree_level":"Masters Theses","degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Harvey, Siobhan"],"committee_chairs":[],"committee_members":[],"year":2018,"date_issued":"2018","date_published":"2018","updated_at":"2026-08-21T16:42:00Z","subjects":["American Southern Gothic","African American women","Fiction","Women of color and religious mysticism"],"languages":["en"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/10292/11616","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"source_record":{"url":"https://openrepository.aut.ac.nz/server/oai/request?verb=GetRecord&metadataPrefix=dim&identifier=oai%3Aopenrepository.aut.ac.nz%3A10292%2F11616","prefix":"dim"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Harvey, Siobhan"]},{"key":"dc:creator","label":"Author","values":["Ho, Elizabeth"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2018-06-27T00:52:07Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2018-06-27T00:52:07Z"]},{"key":"dc:date.issued","label":"Date","values":["2018"]},{"key":"dc:publisher","label":"Institution","values":["Auckland University of Technology"]},{"key":"dc:type","label":"Dc Type","values":["Exegesis"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Masters Theses"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Creative Writing"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["Auckland University of Technology"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["American Southern Gothic","African American women","Fiction","Women of color and religious mysticism"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://hdl.handle.net/10292/11616"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["The exegesis, Women of Color and Religious Mysticism in Southern Gothic, doesn’t just frame Rituals of the Night but amplifies it, particularly to give silenced voices a chance to speak within the genre. The exegesis explores two major themes present within Rituals of the Night from the very first pages of the first draft – the role and lives of women of color and religious mysticism in Southern Gothic. The exegesis is placed before the creative because Rituals of the Night is atypical and clarity must be sought before it can be read. The creative thesis, Rituals of the Night, conjures forth a Southern gothic story of Louisa, a young black woman, in the Southern United States in the 1940s. Like a periscope, it peers into different ways of living – as a minority, as a white person, as an outsider, as a worshipper. Infused with haunting elements, it takes on the challenge of finding out just what it means to be a woman of color in the white man’s world."]},{"key":"dc:title","label":"Title","values":["Women of Color and Religious Mysticism in Southern Gothic"]}]}],"canonical_facts":{"dc:contributor.advisor":["Harvey, Siobhan"],"dc:creator":["Ho, Elizabeth"],"dc:date.accessioned":["2018-06-27T00:52:07Z"],"dc:date.available":["2018-06-27T00:52:07Z"],"dc:date.issued":["2018"],"dc:description.abstract":["The exegesis, Women of Color and Religious Mysticism in Southern Gothic, doesn’t just frame Rituals of the Night but amplifies it, particularly to give silenced voices a chance to speak within the genre. The exegesis explores two major themes present within Rituals of the Night from the very first pages of the first draft – the role and lives of women of color and religious mysticism in Southern Gothic. The exegesis is placed before the creative because Rituals of the Night is atypical and clarity must be sought before it can be read. The creative thesis, Rituals of the Night, conjures forth a Southern gothic story of Louisa, a young black woman, in the Southern United States in the 1940s. Like a periscope, it peers into different ways of living – as a minority, as a white person, as an outsider, as a worshipper. Infused with haunting elements, it takes on the challenge of finding out just what it means to be a woman of color in the white man’s world."],"dc:identifier.uri":["https://hdl.handle.net/10292/11616"],"dc:language.iso":["en"],"dc:publisher":["Auckland University of Technology"],"dc:subject":["American Southern Gothic","African American women","Fiction","Women of color and religious mysticism"],"dc:title":["Women of Color and Religious Mysticism in Southern Gothic"],"dc:type":["Exegesis"],"thesis:degree_level":["Masters Theses"],"thesis:degree_name":["Master of Creative Writing"],"thesis:institution_name":["Auckland University of Technology"]},"updated_at":"2026-08-21T16:42:00Z"}