{"id":{"repo_id":"auckland-tech","oai_identifier":"oai:openrepository.aut.ac.nz:10292/11218"},"canonical_url":"https://search.dev.ndltd.org/etd/auckland-tech/oai:openrepository.aut.ac.nz:10292/11218","repository":{"repo_id":"auckland-tech","name":"AUT University","base_url":"https://openrepository.aut.ac.nz/server/oai/request"},"display":{"title":"Queer Reflections on Baron Wilhelm von Gloeden: A Creative Reconsideration of Pose, Gaze and Technique","abstract":"This project and accompanying exegesis consider the evolution of the Gay, nude male analogue photograph, bringing to the fore a personalised reflection on the work of Baron Wilhelm von Gloeden. It contexualizes and investigates (from a queer perspective) issues of the pose and gaze, and revisits some of Von Gloeden’s constructions and technological concerns. These issues are then creatively synthesized into the production of a contemporary nude, male calendar. The photographs use self-identifying gay men as models. The artwork explores the potential of a range of increasingly anachronistic technologies [cyanotype, letter press and treatments of the analogue negative] to produce a print-based artefact that reflects upon notions of male grace, obscurification and the gaze.","abstract_html":"This project and accompanying exegesis consider the evolution of the Gay, nude male analogue photograph, bringing to the fore a personalised reflection on the work of Baron Wilhelm von Gloeden. It contexualizes and investigates (from a queer perspective) issues of the pose and gaze, and revisits some of Von Gloeden’s constructions and technological concerns. These issues are then creatively synthesized into the production of a contemporary nude, male calendar. The photographs use self-identifying gay men as models. The artwork explores the potential of a range of increasingly anachronistic technologies [cyanotype, letter press and treatments of the analogue negative] to produce a print-based artefact that reflects upon notions of male grace, obscurification and the gaze.","abstract_has_math":false,"creators":["Radić, Xavier"],"institution":null,"degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2004,"date_issued":"2004","date_published":"2004","updated_at":"2026-07-27T18:46:26Z","subjects":["Male nude in art","Photography of the nude","Photography of men","Photography"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["hdl:10292/11218"],"render_values":[{"text":"hdl:10292/11218","href":null,"code":true}]}]},"links":{"outbound_url":null,"outbound_label":null,"outbound_source":null},"metadata_groups":[{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.issued","label":"Date","values":["2004"]},{"key":"dc:type","label":"Dc Type","values":["Thesis/Dissertation"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Male nude in art","Photography of the nude","Photography of men","Photography"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["hdl:10292/11218"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.other","label":"Dc Description Other","values":["This project and accompanying exegesis consider the evolution of the Gay, nude male analogue photograph, bringing to the fore a personalised reflection on the work of Baron Wilhelm von Gloeden. It contexualizes and investigates (from a queer perspective) issues of the pose and gaze, and revisits some of Von Gloeden’s constructions and technological concerns. These issues are then creatively synthesized into the production of a contemporary nude, male calendar. The photographs use self-identifying gay men as models. The artwork explores the potential of a range of increasingly anachronistic technologies [cyanotype, letter press and treatments of the analogue negative] to produce a print-based artefact that reflects upon notions of male grace, obscurification and the gaze."]},{"key":"dc:title","label":"Title","values":["Queer Reflections on Baron Wilhelm von Gloeden: A Creative Reconsideration of Pose, Gaze and Technique"]}]}],"canonical_facts":{"dc:date.issued":["2004"],"dc:description.other":["This project and accompanying exegesis consider the evolution of the Gay, nude male analogue photograph, bringing to the fore a personalised reflection on the work of Baron Wilhelm von Gloeden. It contexualizes and investigates (from a queer perspective) issues of the pose and gaze, and revisits some of Von Gloeden’s constructions and technological concerns. These issues are then creatively synthesized into the production of a contemporary nude, male calendar. The photographs use self-identifying gay men as models. The artwork explores the potential of a range of increasingly anachronistic technologies [cyanotype, letter press and treatments of the analogue negative] to produce a print-based artefact that reflects upon notions of male grace, obscurification and the gaze."],"dc:identifier":["hdl:10292/11218"],"dc:subject":["Male nude in art","Photography of the nude","Photography of men","Photography"],"dc:title":["Queer Reflections on Baron Wilhelm von Gloeden: A Creative Reconsideration of Pose, Gaze and Technique"],"dc:type":["Thesis/Dissertation"]},"updated_at":"2026-07-27T18:46:26Z"}