{"id":{"repo_id":"auckland-ms","oai_identifier":"oai:researchspace.auckland.ac.nz:2292/75567"},"canonical_url":"https://search.dev.ndltd.org/etd/auckland-ms/oai:researchspace.auckland.ac.nz:2292/75567","repository":{"repo_id":"auckland-ms","name":"University of Auckland","base_url":"https://researchspace.auckland.ac.nz/server/oai/request"},"display":{"title":"Exploring the ‘New Sound’ in Ensembles for Zheng and Western Instruments","abstract":"During the 1960s in the West and the 1980s in the China, composers began exploring ‘new sounds’, a description which refers to the novel combination of elements from different compositional periods and traditions. A number of books and academic sources have already utilised this phrase, including New Sounds, New Stories: Narrativity in Contemporary Music by Meelberg Vincent and Paul Griffiths’ book New Sounds, New Personalities: British Composers of the 1980s in Conversation with Paul Griffiths, as well as John Heiss’ journal article ‘The Flute: New Sounds’. Furthermore, I believe that a Chinese phrase “新音响” can be translated as ‘new sounds’ or ‘new acoustics’, and this term has been used in the journal article [Research on Compositional Techniques of the New Sounds in Contemporary Chinese Folk Music] and the doctoral dissertation [Exploration and Practice of New Sounds in Contemporary Chinese Ethnic Instrumental Music Composition]. Currently, there are few contributions regarding ‘new sounds’ as they relate to the combination of zheng and Western instruments. In this thesis, I will provide an overview of the zheng and its history, examine representative chamber and concerto compositions by other composers, as well as create and analyse a number of my own works.","abstract_html":"During the 1960s in the West and the 1980s in the China, composers began exploring ‘new sounds’, a description which refers to the novel combination of elements from different compositional periods and traditions. A number of books and academic sources have already utilised this phrase, including New Sounds, New Stories: Narrativity in Contemporary Music by Meelberg Vincent and Paul Griffiths’ book New Sounds, New Personalities: British Composers of the 1980s in Conversation with Paul Griffiths, as well as John Heiss’ journal article ‘The Flute: New Sounds’. Furthermore, I believe that a Chinese phrase “新音响” can be translated as ‘new sounds’ or ‘new acoustics’, and this term has been used in the journal article [Research on Compositional Techniques of the New Sounds in Contemporary Chinese Folk Music] and the doctoral dissertation [Exploration and Practice of New Sounds in Contemporary Chinese Ethnic Instrumental Music Composition]. Currently, there are few contributions regarding ‘new sounds’ as they relate to the combination of zheng and Western instruments. In this thesis, I will provide an overview of the zheng and its history, examine representative chamber and concerto compositions by other composers, as well as create and analyse a number of my own works.","abstract_has_math":false,"creators":["Zheng, Lin"],"institution":"ResearchSpace@Auckland","degree_name":"PhD","degree_level":"Doctoral","degree_discipline":"Music","degree_department":null,"school":null,"contributors":[],"advisors":["Holmes, Leonie","Sutcliffe, Dean"],"committee_chairs":[],"committee_members":[],"year":2025,"date_issued":"2025","date_published":"2025","updated_at":"2026-07-24T01:05:11Z","subjects":["Guzheng","Composition","Music Performance","Cross-cultural Music","Chinese Instrumental Music"],"languages":[],"rights":["Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated."],"rights_urls":["https://researchspace.auckland.ac.nz/docs/uoa-docs/rights.htm"],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/2292/75567","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Holmes, Leonie","Sutcliffe, Dean"]},{"key":"dc:creator","label":"Author","values":["Zheng, Lin"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2026-05-11T20:03:15Z"]},{"key":"dc:date.issued","label":"Date","values":["2025"]},{"key":"dc:publisher","label":"Institution","values":["ResearchSpace@Auckland"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Music"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Doctoral"]},{"key":"thesis:degree_name","label":"Degree Name","values":["PhD"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["The University of Auckland"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Guzheng","Composition","Music Performance","Cross-cultural Music","Chinese Instrumental Music"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated."]},{"key":"dc:rights.uri","label":"Rights URI","values":["https://researchspace.auckland.ac.nz/docs/uoa-docs/rights.htm"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://hdl.handle.net/2292/75567"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["During the 1960s in the West and the 1980s in the China, composers began exploring ‘new sounds’, a description which refers to the novel combination of elements from different compositional periods and traditions. A number of books and academic sources have already utilised this phrase, including New Sounds, New Stories: Narrativity in Contemporary Music by Meelberg Vincent and Paul Griffiths’ book New Sounds, New Personalities: British Composers of the 1980s in Conversation with Paul Griffiths, as well as John Heiss’ journal article ‘The Flute: New Sounds’. Furthermore, I believe that a Chinese phrase “新音响” can be translated as ‘new sounds’ or ‘new acoustics’, and this term has been used in the journal article [Research on Compositional Techniques of the New Sounds in Contemporary Chinese Folk Music] and the doctoral dissertation [Exploration and Practice of New Sounds in Contemporary Chinese Ethnic Instrumental Music Composition]. Currently, there are few contributions regarding ‘new sounds’ as they relate to the combination of zheng and Western instruments. In this thesis, I will provide an overview of the zheng and its history, examine representative chamber and concerto compositions by other composers, as well as create and analyse a number of my own works."]},{"key":"dc:title","label":"Title","values":["Exploring the ‘New Sound’ in Ensembles for Zheng and Western Instruments"]}]}],"canonical_facts":{"dc:contributor.advisor":["Holmes, Leonie","Sutcliffe, Dean"],"dc:creator":["Zheng, Lin"],"dc:date.accessioned":["2026-05-11T20:03:15Z"],"dc:date.issued":["2025"],"dc:description.abstract":["During the 1960s in the West and the 1980s in the China, composers began exploring ‘new sounds’, a description which refers to the novel combination of elements from different compositional periods and traditions. A number of books and academic sources have already utilised this phrase, including New Sounds, New Stories: Narrativity in Contemporary Music by Meelberg Vincent and Paul Griffiths’ book New Sounds, New Personalities: British Composers of the 1980s in Conversation with Paul Griffiths, as well as John Heiss’ journal article ‘The Flute: New Sounds’. Furthermore, I believe that a Chinese phrase “新音响” can be translated as ‘new sounds’ or ‘new acoustics’, and this term has been used in the journal article [Research on Compositional Techniques of the New Sounds in Contemporary Chinese Folk Music] and the doctoral dissertation [Exploration and Practice of New Sounds in Contemporary Chinese Ethnic Instrumental Music Composition]. Currently, there are few contributions regarding ‘new sounds’ as they relate to the combination of zheng and Western instruments. 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