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Only the Dead: The Construction of Memory and Myth in New Zealand’s Lost Battles of the Mediterranean

Abstract

dc:description.abstract

This thesis examines official, personal, fictional, and biographical accounts of New Zealand military participation in Greece and Italy in World War Two, considering how they attempt to make sense of traumatic wartime experiences, and how personalities and events have been mythologised in ways that have implications for individual and societal perceptions of culpability, heroism, and national identity. The scrutiny of the works selected is contextualised by the precedent made in antiquity by Homer’s Odyssey, a primary text resonating with many subsequent narratives of a hero’s journey home from war, and is critically informed by theories of trauma, memory, and narrative, as well as by general theoretically oriented studies of the literature and language of war. The literary construction of history is examined in Dan Davin’s Crete, a work in which he faced the particular problems of writing history that was both official and contemporary. An examination of Report on Experience focuses on the manifestations of debilitating trauma and guilt in John Mulgan’s account of service with the Special Operations Executive in occupied Greece. A close reading of Patricia Grace’s Tu considers her delivery of the complexity of the Māori wartime experience, in critical alignment with the official record of the 28th Māori battalion. Finally, a consideration of Vasili: The Lion of Crete, Murray Elliott’s biography of Dudley Perkins, explores the difficulty of constructing a legend, and the issue of authorial dependence on the tropes of heroic literary tradition. The creative component of this thesis is part of a novel, in which a young New Zealander visits Crete in the 1960s, is confronted with the dark realities of a war and occupation still current in the consciousness of the island’s occupants, and must negotiate changing landscapes of truth and memory, honour and complicity, to find her own narrative of return and reconciliation.

Degree

thesis:*
Name thesis:degree_name
PhD
Level thesis:degree_level
Doctoral
Discipline thesis:degree_discipline
English
Grantor dc:publisher
ResearchSpace@Auckland
Year dc:date.issued
2023

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • O'Connor, Rachel Margaret
Advisors dc:contributor.advisor
  • Calder, Alex
  • Morris, Paula

Rights

dc:rights
Statement dc:rights
  • Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated.

Identifiers

dc:identifier.*
Handle dc:identifier.uri
https://hdl.handle.net/2292/67464
OAI identifier oai:identifier
oai:researchspace.auckland.ac.nz:2292/67464

Chain of custody

source
Harvested from
University of Auckland
Base URL
researchspace.auckland.ac.nz/server/oai/request
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
related terms
citation

O'Connor, Rachel Margaret. Only the Dead: The Construction of Memory and Myth in New Zealand’s Lost Battles of the Mediterranean. Doctoral thesis, ResearchSpace@Auckland, 2023. https://hdl.handle.net/2292/67464