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Missionaries, reformers, and the beginnings of western music in late imperial China (1839-1911)

Abstract

dc:description.abstract

This is a study of Christian missionaries, Chinese reformers and the beginnings of Western music in late imperial China (1842-1911). It focuses on examining how Christian missionaries and Chinese reformers, in the process of advancing their goals, made use of aspects of Western musical culture and how their actions helped facilitate the introduction of Western music to a wider Chinese audience in the late Qing. The purpose of this study is to show that the introduction of Western music in China was essentially a by-product of Christian evangelism and Chinese reformism. The central contention of the thesis is that Western music was introduced to the Chinese not for its aesthetic appeal or artistic superiority but for its utility in China’s conversion to God and in its struggle for modernity. This study is constructed upon empirical evidence chiefly from primary sources and from citations in Chinese and Western scholarship. It makes use of written accounts such as diaries, letters, memoirs, newspaper and magazine materials, religious tracts, sermons, and visual representations of musical activity in contemporaneous paintings, photos, drawings and prints. The thesis is divided into two main parts. The first part, comprising Chapters 1 to 4, investigates the uses of music in Christian missions in China and the role of missionaries in the introduction and gradual spread of Western music in China. The second part, consisting of Chapters 5 to 9, deals with the role of Chinese reformers and that of Japan in the wide dissemination of Western music at the turn of the twentieth century. The Conclusion recapitulates some of the findings from the nine chapters and restates the general argument of this thesis. It also offers some reflections on the broad significance of the role of the missionaries and Chinese reformers in the forming of a new musical tradition in China.

Degree

thesis:*
Name thesis:degree_name
PhD
Level thesis:degree_level
Doctoral
Discipline thesis:degree_discipline
Asian Studies
Grantor dc:publisher
ResearchSpace@Auckland
Year dc:date.issued
2006

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Gong, Hong-Yu
Advisors dc:contributor.advisor
  • Professor Paul Clark
  • Dr Richard T. Phillips

Rights

dc:rights
Statement dc:rights
  • Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated.
Language dc:language.iso
en

Identifiers

dc:identifier.*
Handle dc:identifier.uri
https://hdl.handle.net/2292/337
OAI identifier oai:identifier
oai:researchspace.auckland.ac.nz:2292/337

Chain of custody

source
Harvested from
University of Auckland
Base URL
researchspace.auckland.ac.nz/server/oai/request
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
related terms
citation

Gong, Hong-Yu. Missionaries, reformers, and the beginnings of western music in late imperial China (1839-1911). Doctoral thesis, ResearchSpace@Auckland, 2006. https://hdl.handle.net/2292/337