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A Youth Performing Arts Experience: The Active Ingredients of a Natural High

Abstract

dc:description.abstract

Although much research attention has been given to the outcomes of participation in positive youth activities, there have been very few investigations into the processes which occur within these settings. Stage Challenge is a dance, drama and design competition experienced annually by 16,000 New Zealand (NZ) youth (aged 9–19 years) across 14 locations nationwide. Each year, this event continues to gain momentum, attesting to its popularity with young people and its established role as a positive youth activity within NZ. To explore students’ experiential processes during Stage Challenge, I employed a multiple case study design and ethnographic research methods to track five demographically diverse teams as they prepared for, and competed in separate Stage Challenge competitions (N = 423). Participant observation was used for all teams and additional data was collected through questionnaires (three teams), focus groups (one team), and semi-structured interviews (one team). The thesis proposes seven psychological concepts that encapsulated students’ Stage Challenge experience: autonomy, integrity, belonging, accomplishment, identity, emotions and flow. These are presented as a conceptual framework, derived from a literature review, my previous research of a single Stage Challenge team, and the current five case studies. The two most critical factors impacting on participants’ experience of the seven concepts during the practice period were choice of theme and style of choreography, which were (not always successfully) driven by teachers or student leaders. Lack of positive feedback from teachers and leaders was also a feature of practice periods. Conversely, all seven concepts were intensely and positively experienced and celebrated at the performance day, which was consistently the highlight for students and the lens through which they evaluated the overall experience. Contrary to current motivational theory, students particularly embraced Stage Challenge’s competitive orientation and the lure of external rewards. Because of the dearth of process research in youth activities, this thesis also trials and evaluates a range of methods to capture students’ lived experiences, using a variety of a observational techniques and data collection measures to investigate if, and how participants were growing, learning and developing as a result of Stage Challenge.

Degree

thesis:*
Name thesis:degree_name
PhD
Level thesis:degree_level
Doctoral
Grantor dc:publisher
ResearchSpace@Auckland
Year dc:date.issued
2013

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Trayes, Jan
Advisors dc:contributor.advisor
  • Harre, N
  • Overall, N

Rights

dc:rights
Statement dc:rights
  • Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated. Previously published items are made available in accordance with the copyright policy of the publisher.

Identifiers

dc:identifier.*
Handle dc:identifier.uri
https://hdl.handle.net/2292/20671
OAI identifier oai:identifier
oai:researchspace.auckland.ac.nz:2292/20671

Chain of custody

source
Harvested from
University of Auckland
Base URL
researchspace.auckland.ac.nz/server/oai/request
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
related terms
citation

Trayes, Jan. A Youth Performing Arts Experience: The Active Ingredients of a Natural High. Doctoral thesis, ResearchSpace@Auckland, 2013. https://hdl.handle.net/2292/20671