{"id":{"repo_id":"aston","oai_identifier":"oai:publications.aston.ac.uk:10617"},"canonical_url":"https://search.dev.ndltd.org/etd/aston/oai:publications.aston.ac.uk:10617","repository":{"repo_id":"aston","name":"Aston University","base_url":"https://publications.aston.ac.uk/cgi/oai2"},"display":{"title":"A practical study of the application of computer techniques in processes of musical composition","abstract":"Computers have invaded every sphere of man's activities, and music is no exception. Their assistance has proved valuable in analysis and archiving, sound synthesis and in musical composition. After initial doubts, many composers and commentators now recognise how important, and sometimes even indispensable, the computer can be in certain types of composition. A number of compositional projects in which the computer plays the most significant role are described. These are based largely on stochastic, probabilistic systems, and seem to lead to generally satisfying results. 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Their assistance has proved valuable in analysis and archiving, sound synthesis and in musical composition. After initial doubts, many composers and commentators now recognise how important, and sometimes even indispensable, the computer can be in certain types of composition. A number of compositional projects in which the computer plays the most significant role are described. These are based largely on stochastic, probabilistic systems, and seem to lead to generally satisfying results. 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