A Metaethical Study of Simone Weil’s Notion of Attention Through Critical Practical Analogy
type: CreativeWork
description: This research provides an example of art practice employed within a metaethical framework by addressing Simone Weil‘s ethical notion of attention. In this thesis, 'metaethics‘ is defined as a second order inquiry into first order questions of normative ethics, more specifically, an inquiry into the metaphysical and epistemological premises of Weil‘s discourse on the ethical value of attention. On one hand, I demonstrate how Weil‘s notion of attention can expand the scope of art so as to include metaethics. On the other hand, I use art to widen the current knowledge of Weilian attention. The research projects described and analysed in this thesis are predicated on a method which I designate 'critical practical analogy‘; this is an analogy which includes art practical operations for the purpose of critical investigation. This method subsumes both theoretical and practical inquiries. I used two analogies: – Normative analogy compares (a) the dualistic relation that Weil postulates between agent and reality in her discourse on attention to (b) the relation that I postulate between my agency through observational drawing and the object of observation. The analogy operates by using Weil‘s assertions on attention normatively in observational drawing. – Imaginal analogy compares (a) Weil‘s use of tautology and contradiction in her arguments for ethical attention to (b) tautology and contradiction considered as argument forms. The analogy operates by giving aesthetic presence to these forms, i.e. by turning them into images through artworks. The analogies obtained the following outcomes: – The normative projects afford a practical knowledge of Weilian attention by interpreting it as an ethical practice of detachment. The projects also demonstrate that, notwithstanding Weil‘s transcendent view of truth, such a practice of detachment is compatible with a subjective notion of truth. – By capitalising on the non-propositional mode of representation which is typical of visual art…
abstract: This research provides an example of art practice employed within a metaethical framework by addressing Simone Weil‘s ethical notion of attention. In this thesis, 'metaethics‘ is defined as a second order inquiry into first order questions of normative ethics, more specifically, an inquiry into the metaphysical and epistemological premises of Weil‘s discourse on the ethical value of attention. On one hand, I demonstrate how Weil‘s notion of attention can expand the scope of art so as to include metaethics. On the other hand, I use art to widen the current knowledge of Weilian attention. The research projects described and analysed in this thesis are predicated on a method which I designate 'critical practical analogy‘; this is an analogy which includes art practical operations for the purpose of critical investigation. This method subsumes both theoretical and practical inquiries. I used two analogies: – Normative analogy compares (a) the dualistic relation that Weil postulates between agent and reality in her discourse on attention to (b) the relation that I postulate between my agency through observational drawing and the object of observation. The analogy operates by using Weil‘s assertions on attention normatively in observational drawing. – Imaginal analogy compares (a) Weil‘s use of tautology and contradiction in her arguments for ethical attention to (b) tautology and contradiction considered as argument forms. The analogy operates by giving aesthetic presence to these forms, i.e. by turning them into images through artworks. The analogies obtained the following outcomes: – The normative projects afford a practical knowledge of Weilian attention by interpreting it as an ethical practice of detachment. The projects also demonstrate that, notwithstanding Weil‘s transcendent view of truth, such a practice of detachment is compatible with a subjective notion of truth. – By capitalising on the non-propositional mode of representation which is typical of visual art…
author: Alfier, Dino
language: en
keywords: Drawing
identifier: Alfier, Dino <https://ualresearchonline.arts.ac.uk/view/creators/Alfier=3ADino=3A=3A.html> (2011) A Metaethical Study of Simone Weil’s Notion of Attention Through Critical Practical Analogy. PhD thesis, University of the Arts London.
date published: 2011-02
date modified: 2026-07-24T01:00:32Z
provider: University of the Arts London
publisher: Networked Digital Library of Theses and Dissertations
type: WebPage
source organization: University of the Arts London