{"id":{"repo_id":"arts-london","oai_identifier":"oai:ualresearchonline.arts.ac.uk:27088"},"canonical_url":"https://search.dev.ndltd.org/etd/arts-london/oai:ualresearchonline.arts.ac.uk:27088","repository":{"repo_id":"arts-london","name":"University of the Arts London","base_url":"https://ualresearchonline.arts.ac.uk/cgi/oai2"},"display":{"title":"Artistically Unfolding: The role of ‘the maternal’ in the construction of British-Indian female identity amongst women in the author’s matrilineal line 1914 - 2023","abstract":"This art practice-based thesis investigates the construction of British-Indian identity among women in my matrilineal line between 1914 – 2023, mapping this development across India, Kenya and Britain. It is informed by my experiences, as a British-born Indian woman whose body maps her dual identity, its perception and reception. I draw on diverse artistic productions, including paintings, digital prints, film, and object-based installations. I employ Clark’s (1999) method of autodriving, a technique of eliciting responses from photographs. I utilise post-colonial feminist theory and sociological analysis to make sense of key narratives of my history. This research examines contemporary representations of British-Indian women, grounded in colonial ideas about inherent differences between (backwards, traditional) eastern and (progressive, civilised) western societies. These understandings construct British-Indian women as lacking agency, subservient family caretakers, and keepers of family honour. Through an intersectional analysis incorporating theories of religion, caste, race, class and gender, and a critique of patriarchy, my thesis challenges these limited representations about British-Indian women, specifically in their maternal roles. My experiences as a mother, daughter, wife, and artist inform my PhD, revealing a trajectory of unlearning what I thought was my identity, to reflecting and reevaluating, and rebuilding by learning from my past and future.","abstract_html":"This art practice-based thesis investigates the construction of British-Indian identity among women in my matrilineal line between 1914 – 2023, mapping this development across India, Kenya and Britain. It is informed by my experiences, as a British-born Indian woman whose body maps her dual identity, its perception and reception. I draw on diverse artistic productions, including paintings, digital prints, film, and object-based installations. I employ Clark’s (1999) method of autodriving, a technique of eliciting responses from photographs. I utilise post-colonial feminist theory and sociological analysis to make sense of key narratives of my history. This research examines contemporary representations of British-Indian women, grounded in colonial ideas about inherent differences between (backwards, traditional) eastern and (progressive, civilised) western societies. These understandings construct British-Indian women as lacking agency, subservient family caretakers, and keepers of family honour. Through an intersectional analysis incorporating theories of religion, caste, race, class and gender, and a critique of patriarchy, my thesis challenges these limited representations about British-Indian women, specifically in their maternal roles. My experiences as a mother, daughter, wife, and artist inform my PhD, revealing a trajectory of unlearning what I thought was my identity, to reflecting and reevaluating, and rebuilding by learning from my past and future.","abstract_has_math":false,"creators":["Allen, Remi"],"institution":null,"degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2023,"date_issued":"2023-04-20","date_published":"2023-04-20","updated_at":"2026-07-24T01:00:53Z","subjects":["Fine Art"],"languages":["en"],"rights":["cc_by_nc_nd"],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["Allen, Remi (2023) Artistically Unfolding: The role of ‘the maternal’ in the construction of British-Indian female identity amongst women in the author’s matrilineal line 1914 - 2023. 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