Working Performatively with Interactive 3D Printing: An artistic practice utilising interactive programming for computational manufacturing and livecoding

This thesis explores the liminal space where personal computational art and design practices and mass-manufacturing technologies intersect. It focuses on what it could look and feel like to be a computationally-augmented, creative practitioner working with 3D printing in a more programmatic, interactive way. The major research contribution is the introduction of a future-looking practice of Interactive 3D Printing (I3DP).I3DP is articulated using the Cognitive Dimensions of Notations in terms of associated user activities and design trade-offs. Another contribution is the design, development, and analysis of a working I3DP system called LivePrinter. LivePrinter is evaluated through a series of qualitiative user studies and a personal computational art practice, including livecoding performances and 3D form-making.

Author dc:creator

• Raskob, Evan S.

• Computer Science
• Human-computer Interaction
• Printing
• Musicianship/Performance studies

Statement dc:rights

• cc_by_nc_nd

Language dc:language

en

Identifier

Raskob, Evan S. <https://ualresearchonline.arts.ac.uk/view/creators/Raskob=3AEvan_S=2E=3A=3A.html> (2022) Working Performatively with Interactive 3D Printing: An artistic practice utilising interactive programming for computational manufacturing and livecoding. PhD thesis, Goldsmiths, University of London.

OAI identifier oai:identifier

oai:ualresearchonline.arts.ac.uk:21473