{"id":{"repo_id":"arts-london","oai_identifier":"oai:ualresearchonline.arts.ac.uk:21397"},"canonical_url":"https://search.dev.ndltd.org/etd/arts-london/oai:ualresearchonline.arts.ac.uk:21397","repository":{"repo_id":"arts-london","name":"University of the Arts London","base_url":"https://ualresearchonline.arts.ac.uk/cgi/oai2"},"display":{"title":"Agents, objects and the art exhibition: towards the co-relational co-formation of things","abstract":"At its core, my research inquiry is concerned with the expanded possibilities of things in questioning and acknowledging the relational aspects of art formation. My research findings put forward a proposal for co-relational co-formed practice resulting from the entanglement between things. Here I have explored ways in which objects might be configured to produce an encounter which elevates the role of the viewer to a redefined role of agent. The key inter-relating things within my research inquiry are; the artist-curator, the exhibition space/ event, object-props, agents, the post-event artefact-objects and the language used to articulate these. The relationship between these things, – their flows, fluxes and their affect, is their material agency. This allows objects to shift between states of being as props, artworks and artefacts – the process of becoming, I argue, generates a trace of the co-relational co-forming act through their surface, form and matter. In problematising modes of staging and writing about the co-dependent and coinforming elements of contemporary art practices, I question the ways in which structures of exhibition making are assumed and played out. My research re-frames the exhibition event, its objects, agents and associated language, as a new relational mode of practice that is centred around the ‘co’. These ideas are explored against a critical framework of key thinkers from the anthropological, new materialist and phenomenological fields and through my practice-research which comprises an interwoven, overlapping body of artistic stagings and multiple forms of writing. My contributions to knowledge come through a Knowledge Mobility Framework and an ethical methodological Proposition for Co-Relational Co-Formed Practice for the artistcurator which acknowledges and works with the open-ended, entanglement of things. I also outline a revised nomenclature of some key terms presented as a Key to Key Words glossary in order to challenge and expand the critical discourse of contemporary art practices.","abstract_html":"At its core, my research inquiry is concerned with the expanded possibilities of things in questioning and acknowledging the relational aspects of art formation. My research findings put forward a proposal for co-relational co-formed practice resulting from the entanglement between things. Here I have explored ways in which objects might be configured to produce an encounter which elevates the role of the viewer to a redefined role of agent. The key inter-relating things within my research inquiry are; the artist-curator, the exhibition space/ event, object-props, agents, the post-event artefact-objects and the language used to articulate these. The relationship between these things, – their flows, fluxes and their affect, is their material agency. This allows objects to shift between states of being as props, artworks and artefacts – the process of becoming, I argue, generates a trace of the co-relational co-forming act through their surface, form and matter. In problematising modes of staging and writing about the co-dependent and coinforming elements of contemporary art practices, I question the ways in which structures of exhibition making are assumed and played out. My research re-frames the exhibition event, its objects, agents and associated language, as a new relational mode of practice that is centred around the ‘co’. These ideas are explored against a critical framework of key thinkers from the anthropological, new materialist and phenomenological fields and through my practice-research which comprises an interwoven, overlapping body of artistic stagings and multiple forms of writing. My contributions to knowledge come through a Knowledge Mobility Framework and an ethical methodological Proposition for Co-Relational Co-Formed Practice for the artistcurator which acknowledges and works with the open-ended, entanglement of things. I also outline a revised nomenclature of some key terms presented as a Key to Key Words glossary in order to challenge and expand the critical discourse of contemporary art practices.","abstract_has_math":false,"creators":["Court, Rebecca"],"institution":null,"degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2023,"date_issued":"2023-04","date_published":"2023-04","updated_at":"2026-07-24T01:00:50Z","subjects":["Fine Art"],"languages":["en"],"rights":["cc_by_nc_nd"],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["Court, Rebecca (2023) Agents, objects and the art exhibition: towards the co-relational co-formation of things. PhD thesis, University of the Arts London."],"render_values":[{"text":"Court, Rebecca (2023) Agents, objects and the art exhibition: towards the co-relational co-formation of things. 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