Tailoring Digital Touch: An ethnography of designers' touch practices during garment prototyping and the potential for their digitisation
type: CreativeWork
description: At a time of rapid digital transition in garment design industries and education, this thesis ethnographically documents garment designers’ use of touch and its role in meaning-making and understanding during garment prototyping. A novel diffractive ethnographic attention is utilised to attune to differing aspects of touch and felt experience, revealing the significance of the felt, kinaesthetic awareness of the moving body to garment prototyping. Further demonstrating that designers relate felt histories of material entanglement with their moving bodies to their contemporary experience. Development of felt histories is thus identified as a key means of designers’ enskillment, alongside moments of overlooked and informal skills sharing. A socio-material perspective informed by New Materialism is adopted to foreground the critical role of designers’ entanglement with non-human things in structuring their felt experience and deriving meaning from it. Significantly, this thesis demonstrates that sensations are perceived beyond the conventionally defined body in and through entangled tools and materials and that sensations are socio-materially mutable and can be altered by peers directing designers to touch and feel in particular ways. This problematises current haptic technologies, which simulate touch at physical and virtual boundaries. The ethnographic data is supplemented by two workshop studies facilitating garment designers to engage with prototypical digital touch technologies, enabling speculation on future digital touch tools more relevant to garment prototyping. The thesis analytically discusses differing theoretical stances on non-human agency in design and making and their implications for digital touch tools. It concludes by proposing a theoretical Framework of Garment Designers’ Felt Enskillment and making recommendations for the design of digital touch interfaces for garment prototyping. The findings of the thesis contribute to the fields of HCI, design a…
abstract: At a time of rapid digital transition in garment design industries and education, this thesis ethnographically documents garment designers’ use of touch and its role in meaning-making and understanding during garment prototyping. A novel diffractive ethnographic attention is utilised to attune to differing aspects of touch and felt experience, revealing the significance of the felt, kinaesthetic awareness of the moving body to garment prototyping. Further demonstrating that designers relate felt histories of material entanglement with their moving bodies to their contemporary experience. Development of felt histories is thus identified as a key means of designers’ enskillment, alongside moments of overlooked and informal skills sharing. A socio-material perspective informed by New Materialism is adopted to foreground the critical role of designers’ entanglement with non-human things in structuring their felt experience and deriving meaning from it. Significantly, this thesis demonstrates that sensations are perceived beyond the conventionally defined body in and through entangled tools and materials and that sensations are socio-materially mutable and can be altered by peers directing designers to touch and feel in particular ways. This problematises current haptic technologies, which simulate touch at physical and virtual boundaries. The ethnographic data is supplemented by two workshop studies facilitating garment designers to engage with prototypical digital touch technologies, enabling speculation on future digital touch tools more relevant to garment prototyping. The thesis analytically discusses differing theoretical stances on non-human agency in design and making and their implications for digital touch tools. It concludes by proposing a theoretical Framework of Garment Designers’ Felt Enskillment and making recommendations for the design of digital touch interfaces for garment prototyping. The findings of the thesis contribute to the fields of HCI, design a…
author: Atkinson, Douglas
language: en
keywords: Fashion Design (Menswear), Fashion Design (Womenswear), Human-computer Interaction
identifier: Atkinson, Douglas <https://ualresearchonline.arts.ac.uk/view/creators/Atkinson=3ADouglas=3A=3A.html> (2022) Tailoring Digital Touch: An ethnography of designers' touch practices during garment prototyping and the potential for their digitisation. PhD thesis, University College London.
date published: 2022-07-29
date modified: 2026-07-24T01:00:46Z
provider: University of the Arts London
publisher: Networked Digital Library of Theses and Dissertations
type: WebPage
source organization: University of the Arts London