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University of Arkansas

Salman Rushdie in the Postmodern Current: New Venues, New Values

Abstract

dc:description.abstract

<p>The aim of this study is to prove that Rushdie's recent novels are not postcolonial in the sense that they abandon the colonial/colonized binary, the embrace of hybridity, and the theme of undermining the coercion and domination of the colonial country assumed in postcolonial discourse. Instead, his recent fiction is labeled postmodern because it is filled with exuberant postmodern techniques such as historiographic metafiction, the hegemony of mode of productions, the postmodern fragmented self, and suspicions of grand narrative. Furthermore, I will argue that there is an association between Rushdie's postmodern narrative technique (his mixing of history and fantasy) and his political stance when it comes to his notion about America, and that postmodernism enables Rushdie to question the historical "truth" and allows him to rewrite or reconstruct South Asia's history which then sets in motion the western discourse of hegemony. Contrary to commonplace commentaries about his anti-colonialist stance, Rushdie's historical and fictional narrative not only assures the hegemonic discourse of late capitalism but also reflects an imperialist political stance. This will be demonstrated by considering Rushdie's manipulation in his novels of alternate history, cultural modes of production such as commodity fetishism and media, postmodernism or the cultural logic of late capitalism, and historiographic metafiction; furthermore, these features of postmodernism which Rushdie uses in his recent novels indicate his position as a postmodern writer. </p>

Degree

thesis:*
Name thesis:degree_name
Doctor of Philosophy in English (PhD)
Level thesis:degree_level
Dissertation
Year dc:date.available
2014

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Akkawi, Aya
Advisor dc:contributor.advisor
  • Booker, M. Keith
Contributors dc:contributor
  • Hinrichsen, Lisa A.
  • Marren, Susan M.

Subjects

dc:subject × 7

Identifiers

dc:identifier.*
Repository record dc:identifier
https://scholarworks.uark.edu/etd/2200
OAI identifier oai:identifier
oai:scholarworks.uark.edu:etd-3739

Chain of custody

source
Harvested from
University of Arkansas
Base URL
scholarworks.uark.edu/do/oai/
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Akkawi, Aya. Salman Rushdie in the Postmodern Current: New Venues, New Values. Dissertation thesis, 2014. https://scholarworks.uark.edu/etd/2200