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University of Arkansas

Negotiating the Politics of Representation in Iranian Women’s Cinema before and after the Islamic Revolution

Abstract

dc:description.abstract

<p>From Mahvash, the Iranian entertainer who sang and danced coquettishly in numerous Iranian films that were produced before the Islamic revolution of 1979, to the skateboarding vampire girl who makes a feast out of abusive men in Ana Lily Amirpour’s A Girl Walks Home Alone at Night, the representation of Iranian women on screen has changed drastically. This comparative study focuses on the politics of representation of Iranian women in the cinema before and after the Islamic revolution, with the aim of deconstructing the readily-available notions of women’s oppression in Iran. It analyzes the works of female Iranian directors Forough Farrokhzad, Samira Makhmalbaf, Rakhshan Bani-E’temad, Tahmineh Milani, Marjane Satrapi, and Ana Lily Amirpour, using the theoretical framework of the Islamicate gaze theory and accented cinema, while taking into consideration the different interpretations of third world cinema, women’s cinema, and national cinema. At the intersection of all of these theoretical frameworks, is Iranian women’s cinema. It is revealed that the transforming depiction of women on screen is due primarily to the socio-economic and political conditions of the country, but also to the fact that there is a growing number of female directors who are tackling women’s issues and depicting women realistically on the screen.</p>

Degree

thesis:*
Name thesis:degree_name
Master of Arts in Comparative Literature and Cultural Studies (MA)
Level thesis:degree_level
Thesis
Year dc:date.available
2016

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Al Sharji, Alshaatha Sultan
Advisor dc:contributor.advisor
  • Scheide, Frank M.
Contributors dc:contributor
  • Booker, M. Keith
  • Kahf, Mohja

Subjects

dc:subject × 10

Identifiers

dc:identifier.*
Repository record dc:identifier
https://scholarworks.uark.edu/etd/1699
OAI identifier oai:identifier
oai:scholarworks.uark.edu:etd-3238

Chain of custody

source
Harvested from
University of Arkansas
Base URL
scholarworks.uark.edu/do/oai/
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Al Sharji, Alshaatha Sultan. Negotiating the Politics of Representation in Iranian Women’s Cinema before and after the Islamic Revolution. Thesis thesis, 2016. https://scholarworks.uark.edu/etd/1699