{"id":{"repo_id":"andrews-thes","oai_identifier":"oai:digitalcommons.andrews.edu:dissertations-1761"},"canonical_url":"https://search.dev.ndltd.org/etd/andrews-thes/oai:digitalcommons.andrews.edu:dissertations-1761","repository":{"repo_id":"andrews-thes","name":"Andrews University","base_url":"https://digitalcommons.andrews.edu/do/oai/"},"display":{"title":"Up from Sea and Earth: Revelation 13:1, 11 in Context","abstract":"<p>The wide spectrum of usually unreconcilable ways sea and earth have been interpreted in Revelation 13: 1 and 11, as chapter 2 exposes, prompts questions such as What did John mean in Rev 13:1, 11 by coming up from the sea and the earth or land? What could his original addressees have understood when they heard it for the first time? These are the basic questions this dissertation aims to answer through a reconstruction of the original context shared by John and his first-century Asian audience, and, in that light, of the sources he most probably used to paint his literary fresco. The analysis of these sources, both cannonical and non cannonical in chapter 3 made manifest the singular way in which John uses the sea and earth/land motifs in comparison to the ways they were used in his milieu. The linkage with the Old Testament is more connected than any of the non biblical groups of literature analyzed.</p>","abstract_html":"&lt;p&gt;The wide spectrum of usually unreconcilable ways sea and earth have been interpreted in Revelation 13: 1 and 11, as chapter 2 exposes, prompts questions such as What did John mean in Rev 13:1, 11 by coming up from the sea and the earth or land? What could his original addressees have understood when they heard it for the first time? These are the basic questions this dissertation aims to answer through a reconstruction of the original context shared by John and his first-century Asian audience, and, in that light, of the sources he most probably used to paint his literary fresco. The analysis of these sources, both cannonical and non cannonical in chapter 3 made manifest the singular way in which John uses the sea and earth/land motifs in comparison to the ways they were used in his milieu. The linkage with the Old Testament is more connected than any of the non biblical groups of literature analyzed.&lt;/p&gt;","abstract_has_math":false,"creators":["Cotro, Hugo Antonio"],"institution":null,"degree_name":"Doctor of Philosophy","degree_level":"Dissertation","degree_discipline":"Religion, New Testament PhD","degree_department":null,"school":null,"contributors":["Ranko Stefanovic","Richard M. Davidson","Thomas Shepherd"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2015,"date_issued":"2015-01-01T08:00:00Z","date_published":"2015-01-01T08:00:00Z","updated_at":"2026-07-24T00:53:07Z","subjects":["Biblical Studies"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://digitalcommons.andrews.edu/dissertations/762","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Ranko Stefanovic","Richard M. 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What could his original addressees have understood when they heard it for the first time? These are the basic questions this dissertation aims to answer through a reconstruction of the original context shared by John and his first-century Asian audience, and, in that light, of the sources he most probably used to paint his literary fresco. The analysis of these sources, both cannonical and non cannonical in chapter 3 made manifest the singular way in which John uses the sea and earth/land motifs in comparison to the ways they were used in his milieu. The linkage with the Old Testament is more connected than any of the non biblical groups of literature analyzed.</p>"]},{"key":"dc:title","label":"Title","values":["Up from Sea and Earth: Revelation 13:1, 11 in Context"]}]}],"canonical_facts":{"dc:contributor":["Ranko Stefanovic","Richard M. Davidson","Thomas Shepherd"],"dc:creator":["Cotro, Hugo Antonio"],"dc:date.available":["2015-06-08T07:00:00Z"],"dc:description.abstract":["<p>The wide spectrum of usually unreconcilable ways sea and earth have been interpreted in Revelation 13: 1 and 11, as chapter 2 exposes, prompts questions such as What did John mean in Rev 13:1, 11 by coming up from the sea and the earth or land? What could his original addressees have understood when they heard it for the first time? These are the basic questions this dissertation aims to answer through a reconstruction of the original context shared by John and his first-century Asian audience, and, in that light, of the sources he most probably used to paint his literary fresco. The analysis of these sources, both cannonical and non cannonical in chapter 3 made manifest the singular way in which John uses the sea and earth/land motifs in comparison to the ways they were used in his milieu. The linkage with the Old Testament is more connected than any of the non biblical groups of literature analyzed.</p>"],"dc:identifier":["https://digitalcommons.andrews.edu/dissertations/762"],"dc:subject":["Biblical Studies"],"dc:title":["Up from Sea and Earth: Revelation 13:1, 11 in Context"],"thesis:degree_discipline":["Religion, New Testament PhD"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Doctor of Philosophy"]},"updated_at":"2026-07-24T00:53:07Z"}