Truth and Terror: a Text-Oriented Analysis of Daniel 8:9-14
Daniel 8:9-14 constitutes the climax of the vision report in Dan 8, and is arguably one of the most difficult Danielic passages. This dissertation investigates the Masoretic Text of Dan 8:9-14 by means of a detailed and comprehensive text-oriented analysis that utilizes linguistic, literary, and intertextual procedures. In chapter 1, an overview of modern text-oriented approaches and the review of recent literature on Dan 8 pave the way for a description of this study's methodology, which consists of a combination of linguistic (syntax, semantics, and text-grammar), literary (style and structure), and intertextual approaches (textual relations within the book of Daniel), using them as a threefold avenue to the understanding of the text, while at the same time demonstrating their interdependence. The linguistic analysis in chapter 2 analyzes the syntactic and semantic features of each clause, as well as significant terms and expressions in Dan 8:9-14. A text-grammatical analysis identifies the interclausal relations in the passage. The literary analysis in chapter 3 examines the rhetorical and stylistic devices and their function in Dan 8:9-14, and describes the literary structure and dynamics of the passage. Stylistic and structural devices include poetic-like language in vs. 11, verbal gender shifts in vss. 9-12, the use of the key word gadel in a "hubris-fall" pattern, and spatial imagery. The investigation of terminological fields and their distribution observes the interplay of military, royal, cultic, creation, and judgment terminology, showing how these themes characterize the role of the horn figure and convey the text's theological message. The intertextual analysis in chapter 4 explores the lexical and thematic links of Dan 8:9-14 with other texts in the book of Daniel---particularly with 8:23-25 and chaps. 7, 9, and 10--12---and how these texts contribute to the interpretation of Dan 8:9-14. The summary and conclusions in chapter 5 highlight the results of each of the three avenues of the text-oriented approach to Dan 8:9-14. The climax of the vision report with its accompanying audition, against the general opinion, is linguistically well-composed and an extremely artistic literary piece that combines significant theological themes. The Day of Atonement serves as a macrotheme and typifies the divine reaction to the cosmic challenge created by the cultic war of the horn. By its complex textual relations, Dan 8:9-14 constitutes a central passage in the book of Daniel.
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