{"id":{"repo_id":"alabama","oai_identifier":"oai:ir.ua.edu:123456789/2592"},"canonical_url":"https://search.dev.ndltd.org/etd/alabama/oai:ir.ua.edu:123456789/2592","repository":{"repo_id":"alabama","name":"University of Alabama","base_url":"https://ir-api.ua.edu/oai/request"},"display":{"title":"A Daoist perspective on George Oppen's poetry and poetics","abstract":"I use Daoist principles of ontological simplicity and the unmediated relationship between man and the ten thousand things to analyze George Oppen’s poems and poetics. First, I conduct a survey of the current state of American poetry studies and Oppen studies in China. Second, I examine Oppen’s poetics of “a language of silence.” Third, I seek the compatibility between the two Daoist principles and Oppen’s poetic philosophy of silence and clarity. Fourth, I interpret Oppen’s representative poems, particularly his only long poem, “Of Being Numerous” through a Daoist perspective. Finally, I analyze two Chinese scholars’ translations of the first section of “Route,” and I also give an account on how I translate “Of Being Numerous” into Chinese.","abstract_html":"I use Daoist principles of ontological simplicity and the unmediated relationship between man and the ten thousand things to analyze George Oppen’s poems and poetics. First, I conduct a survey of the current state of American poetry studies and Oppen studies in China. Second, I examine Oppen’s poetics of “a language of silence.” Third, I seek the compatibility between the two Daoist principles and Oppen’s poetic philosophy of silence and clarity. Fourth, I interpret Oppen’s representative poems, particularly his only long poem, “Of Being Numerous” through a Daoist perspective. Finally, I analyze two Chinese scholars’ translations of the first section of “Route,” and I also give an account on how I translate “Of Being Numerous” into Chinese.","abstract_has_math":false,"creators":["Yang, Xiaosheng"],"institution":"University of Alabama Libraries","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":["Beidler, Philip D.","Wittman, Emily Ondine","White, Heather Cass","Fox, Thomas C."],"advisors":["Lazer, Hank"],"committee_chairs":[],"committee_members":[],"year":2016,"date_issued":"2016","date_published":"2016","updated_at":"2026-07-27T18:44:01Z","subjects":["American literature","Comparative literature","Asian literature"],"languages":["en_US","English"],"rights":["All rights reserved by the author unless otherwise indicated."],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier.other","label":"Dc Identifier Other","values":["u0015_0000001_0002237","Yang_alatus_0004D_12674"],"render_values":[{"text":"u0015_0000001_0002237","href":null,"code":true},{"text":"Yang_alatus_0004D_12674","href":null,"code":true}]}]},"links":{"outbound_url":"https://ir.ua.edu/handle/123456789/2592","outbound_label":"Repository record","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Lazer, Hank","Beidler, Philip D.","Wittman, Emily Ondine","White, Heather Cass","Fox, Thomas C."]},{"key":"dc:contributor.advisor","label":"Advisor","values":["Lazer, Hank"]},{"key":"dc:contributor.other","label":"Dc Contributor Other","values":["University of Alabama Tuscaloosa"]},{"key":"dc:creator","label":"Author","values":["Yang, Xiaosheng"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2017-03-01T17:40:37Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2017-03-01T17:40:37Z"]},{"key":"dc:date.issued","label":"Date","values":["2016"]},{"key":"dc:publisher","label":"Institution","values":["University of Alabama Libraries"]},{"key":"dc:type","label":"Dc Type","values":["thesis","text"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["American literature","Comparative literature","Asian literature"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English"]},{"key":"dc:language.iso","label":"Language (ISO)","values":["en_US"]},{"key":"dc:rights","label":"Dc Rights","values":["All rights reserved by the author unless otherwise indicated."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.other","label":"Dc Identifier Other","values":["u0015_0000001_0002237","Yang_alatus_0004D_12674"]},{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://ir.ua.edu/handle/123456789/2592"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Electronic Thesis or Dissertation"]},{"key":"dc:description.abstract","label":"Abstract","values":["I use Daoist principles of ontological simplicity and the unmediated relationship between man and the ten thousand things to analyze George Oppen’s poems and poetics. First, I conduct a survey of the current state of American poetry studies and Oppen studies in China. Second, I examine Oppen’s poetics of “a language of silence.” Third, I seek the compatibility between the two Daoist principles and Oppen’s poetic philosophy of silence and clarity. Fourth, I interpret Oppen’s representative poems, particularly his only long poem, “Of Being Numerous” through a Daoist perspective. 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