{"id":{"repo_id":"alabama","oai_identifier":"oai:ir.ua.edu:123456789/2381"},"canonical_url":"https://search.dev.ndltd.org/etd/alabama/oai:ir.ua.edu:123456789/2381","repository":{"repo_id":"alabama","name":"University of Alabama","base_url":"https://ir-api.ua.edu/oai/request"},"display":{"title":"An analysis of Bach's Partita no. 2, Haydn's Fantasia in C Major, and Schumann's Carnaval","abstract":"This DMA project is composed of two parts. The first is this manuscript focusing on the following piano music: J. S. Bach's Partita No. 2 in C Minor, Joseph Haydn's Fantasia in C Major, Hob. XVII: 4, and Robert Schumann's Carnaval, Op. 9. The manuscript examines the historical, musical, and performance considerations for each work. Each discussion of a work begins with a brief historical background, then covers the selected music, beginning with a study of the development of each genre⎯Partita, Fantasia, and the Character Piece. The majority of this manuscript focuses on the musical analysis and the intention is to enlighten the listener's appreciation of performance issues such as musical timing, pacing, and tone color. The second part of this DMA project is a professional quality disc recording of these three pieces recorded in the Moody Concert Hall at the University of Alabama.","abstract_html":"This DMA project is composed of two parts. The first is this manuscript focusing on the following piano music: J. S. Bach's Partita No. 2 in C Minor, Joseph Haydn's Fantasia in C Major, Hob. XVII: 4, and Robert Schumann's Carnaval, Op. 9. The manuscript examines the historical, musical, and performance considerations for each work. Each discussion of a work begins with a brief historical background, then covers the selected music, beginning with a study of the development of each genre⎯Partita, Fantasia, and the Character Piece. The majority of this manuscript focuses on the musical analysis and the intention is to enlighten the listener's appreciation of performance issues such as musical timing, pacing, and tone color. The second part of this DMA project is a professional quality disc recording of these three pieces recorded in the Moody Concert Hall at the University of Alabama.","abstract_has_math":false,"creators":["Wang, Xiaoyan"],"institution":"University of Alabama Libraries","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":["Barber, Angela B.","Biermann, Joanna Cobb","First, Craig P.","Gille, Tanya","Myers, Shelly D."],"advisors":["Engebretson, Noel J."],"committee_chairs":[],"committee_members":[],"year":2015,"date_issued":"2015","date_published":"2015","updated_at":"2026-07-27T18:44:09Z","subjects":["Music"],"languages":["en_US","English"],"rights":["All rights reserved by the author unless otherwise indicated."],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier.other","label":"Dc Identifier Other","values":["u0015_0000001_0001966","Wang_alatus_0004D_12374"],"render_values":[{"text":"u0015_0000001_0001966","href":null,"code":true},{"text":"Wang_alatus_0004D_12374","href":null,"code":true}]}]},"links":{"outbound_url":"https://ir.ua.edu/handle/123456789/2381","outbound_label":"Repository record","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Barber, Angela B.","Biermann, Joanna Cobb","First, Craig P.","Gille, Tanya","Myers, Shelly D."]},{"key":"dc:contributor.advisor","label":"Advisor","values":["Engebretson, Noel J."]},{"key":"dc:contributor.other","label":"Dc Contributor Other","values":["University of Alabama Tuscaloosa"]},{"key":"dc:creator","label":"Author","values":["Wang, Xiaoyan"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2017-03-01T17:35:47Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2017-03-01T17:35:47Z"]},{"key":"dc:date.issued","label":"Date","values":["2015"]},{"key":"dc:publisher","label":"Institution","values":["University of Alabama Libraries"]},{"key":"dc:type","label":"Dc Type","values":["thesis","text"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Music"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English"]},{"key":"dc:language.iso","label":"Language (ISO)","values":["en_US"]},{"key":"dc:rights","label":"Dc Rights","values":["All rights reserved by the author unless otherwise indicated."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.other","label":"Dc Identifier Other","values":["u0015_0000001_0001966","Wang_alatus_0004D_12374"]},{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://ir.ua.edu/handle/123456789/2381"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Electronic Thesis or Dissertation"]},{"key":"dc:description.abstract","label":"Abstract","values":["This DMA project is composed of two parts. The first is this manuscript focusing on the following piano music: J. S. Bach's Partita No. 2 in C Minor, Joseph Haydn's Fantasia in C Major, Hob. XVII: 4, and Robert Schumann's Carnaval, Op. 9. The manuscript examines the historical, musical, and performance considerations for each work. Each discussion of a work begins with a brief historical background, then covers the selected music, beginning with a study of the development of each genre⎯Partita, Fantasia, and the Character Piece. The majority of this manuscript focuses on the musical analysis and the intention is to enlighten the listener's appreciation of performance issues such as musical timing, pacing, and tone color. The second part of this DMA project is a professional quality disc recording of these three pieces recorded in the Moody Concert Hall at the University of Alabama."]},{"key":"dc:format.medium","label":"Dc Format Medium","values":["electronic"]},{"key":"dc:format.mimetype","label":"Dc Format Mimetype","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["An analysis of Bach's Partita no. 2, Haydn's Fantasia in C Major, and Schumann's Carnaval"]}]}],"canonical_facts":{"dc:contributor":["Barber, Angela B.","Biermann, Joanna Cobb","First, Craig P.","Gille, Tanya","Myers, Shelly D."],"dc:contributor.advisor":["Engebretson, Noel J."],"dc:contributor.other":["University of Alabama Tuscaloosa"],"dc:creator":["Wang, Xiaoyan"],"dc:date.accessioned":["2017-03-01T17:35:47Z"],"dc:date.available":["2017-03-01T17:35:47Z"],"dc:date.issued":["2015"],"dc:description":["Electronic Thesis or Dissertation"],"dc:description.abstract":["This DMA project is composed of two parts. The first is this manuscript focusing on the following piano music: J. S. Bach's Partita No. 2 in C Minor, Joseph Haydn's Fantasia in C Major, Hob. XVII: 4, and Robert Schumann's Carnaval, Op. 9. The manuscript examines the historical, musical, and performance considerations for each work. Each discussion of a work begins with a brief historical background, then covers the selected music, beginning with a study of the development of each genre⎯Partita, Fantasia, and the Character Piece. The majority of this manuscript focuses on the musical analysis and the intention is to enlighten the listener's appreciation of performance issues such as musical timing, pacing, and tone color. 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