{"id":{"repo_id":"adelaide","oai_identifier":"oai:digital.library.adelaide.edu.au:2440/69738"},"canonical_url":"https://search.dev.ndltd.org/etd/adelaide/oai:digital.library.adelaide.edu.au:2440/69738","repository":{"repo_id":"adelaide","name":"University of Adelaide","base_url":"https://digital.library.adelaide.edu.au/server/oai/request"},"display":{"title":"Search for the self: redefining the jazz language : a personal perspective.","abstract":"The exegesis documents the musical application by the author of philosophical and aesthetic ideas practiced by three visual artists and one musician. In response to these ideas, the author devised exercises and strategies that served to enhance his own creative and personal expression. This expanded creativity and expressivity became the basis for two recitals, which were spontaneous musical responses to the tale of ’A rake’s progress’.","abstract_html":"The exegesis documents the musical application by the author of philosophical and aesthetic ideas practiced by three visual artists and one musician. In response to these ideas, the author devised exercises and strategies that served to enhance his own creative and personal expression. This expanded creativity and expressivity became the basis for two recitals, which were spontaneous musical responses to the tale of ’A rake’s progress’.","abstract_has_math":false,"creators":["Pascoe, Derek"],"institution":null,"degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2006,"date_issued":"2006","date_published":"2006","updated_at":"2026-07-24T00:51:05Z","subjects":["music philosophy and aesthetics; music performance; improvisation (music); jazz"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/2440/69738","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Pascoe, Derek"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.issued","label":"Date","values":["2006"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["music philosophy and aesthetics; music performance; improvisation (music); jazz"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/2440/69738"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Title page, table of contents and abstract only. The complete thesis in print form is available from the University of Adelaide Library."]},{"key":"dc:description.abstract","label":"Abstract","values":["The exegesis documents the musical application by the author of philosophical and aesthetic ideas practiced by three visual artists and one musician. In response to these ideas, the author devised exercises and strategies that served to enhance his own creative and personal expression. This expanded creativity and expressivity became the basis for two recitals, which were spontaneous musical responses to the tale of ’A rake’s progress’."]},{"key":"dc:title","label":"Title","values":["Search for the self: redefining the jazz language : a personal perspective."]}]}],"canonical_facts":{"dc:creator":["Pascoe, Derek"],"dc:date.issued":["2006"],"dc:description":["Title page, table of contents and abstract only. The complete thesis in print form is available from the University of Adelaide Library."],"dc:description.abstract":["The exegesis documents the musical application by the author of philosophical and aesthetic ideas practiced by three visual artists and one musician. In response to these ideas, the author devised exercises and strategies that served to enhance his own creative and personal expression. This expanded creativity and expressivity became the basis for two recitals, which were spontaneous musical responses to the tale of ’A rake’s progress’."],"dc:identifier.uri":["http://hdl.handle.net/2440/69738"],"dc:subject":["music philosophy and aesthetics; music performance; improvisation (music); jazz"],"dc:title":["Search for the self: redefining the jazz language : a personal perspective."],"dc:type":["Thesis"]},"updated_at":"2026-07-24T00:51:05Z"}