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University of Adelaide

Re-orchestration Case Studies for Wind Orchestra: Portfolio of Compositions, Transcriptions and Exegesis

Abstract

dc:description.abstract

Following the meteoric rise in popularity of the wind orchestra from the late 20th century (especially in the United States of America) it has become commonplace for composers to transcribe their pieces for the medium. The process is not only applied to orchestral works, but also that of choral and chamber ensembles and even solo piano repertoire. Consequently, as the status of the wind orchestra and notoriety of its composers has steadily improved, this re-orchestration process became somewhat bidirectional, with many wind orchestra composers now adapting their works for alternative instrumentations. This has had the dual effect of not only expanding a composer’s reach by their work being available for new media, but it has also introduced many composers to audiences who would otherwise have been unfamiliar with them. While there have been analyses of individual works and composers with a more purely theoretical bent, there is scant material available on the more tangible and aesthetic outcomes of the re-orchestration process, especially related to the wind orchestra. The aim of this research was to holistically examine the considerations made by composers and arrangers in these transitions from a theoretical, aesthetic and performance-based perspective. Assessing the effectiveness of these case studies through the unique lenses and viewpoints of composer, performer, audience, and conductor has ultimately resulted in a collection of notation and transcription options that can assist in streamlining the task of future re-orchestrations for composers wishing to undertake a similar process.

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Cheney, Martin
Advisors dc:contributor.advisor
  • Keohne, Graeme
  • Dollman, Luke

Subjects

dc:subject × 6

Rights

Language dc:language.iso
en

Identifiers

dc:identifier.*
Handle dc:identifier.uri
https://hdl.handle.net/2440/138656
OAI identifier oai:identifier
oai:digital.library.adelaide.edu.au:2440/138656

Chain of custody

source
Harvested from
University of Adelaide
Base URL
digital.library.adelaide.edu.au/server/oai/request
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Cheney, Martin. Re-orchestration Case Studies for Wind Orchestra: Portfolio of Compositions, Transcriptions and Exegesis. 2022. https://hdl.handle.net/2440/138656