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University of Adelaide

Post-imperial perspectives: British art since 1940 at the Art Gallery of South Australia

Abstract

dc:description.abstract

This dissertation examines the Art Gallery of South Australia’s patterns of collecting modern and contemporary British art since the outbreak of the Second World War. It analyses the relative influence on these collecting patterns of Australia’s transition from a mono-cultural British dominion to a post-imperial multicultural nation positioned in the Asia/Pacific region, in comparison to the influence of institutional and art world changes. It evaluates the resulting strengths and weaknesses of the collection and assesses post-imperial museological issues pertaining to collection management.

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Osborne, Margot
Advisors dc:contributor.advisor
  • Speck, Catherine Margaret
  • North, Ian

Subjects

dc:subject × 4

Identifiers

dc:identifier.*
OAI identifier oai:identifier
oai:digital.library.adelaide.edu.au:2440/103311

Chain of custody

source
Harvested from
University of Adelaide
Base URL
digital.library.adelaide.edu.au/server/oai/request
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Osborne, Margot. Post-imperial perspectives: British art since 1940 at the Art Gallery of South Australia. 2016. http://hdl.handle.net/2440/103311