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Showing 1 to 6 of 6 for “"wood carving"”.

  1. A originalidade da obra de Ignacio Ferreira Pinto no contexto da talha carioca na segunda metade do século XVIII

    … artist Ignacio Ferreira Pinto's religious wood carvings. From a reflection on the technical, historical and stylistic aspects of the Portuguese-Brazilian wood carving, we came to the “fluminense” wood carving where the artistic production of Mestre Inacio is inserted – the second half of …

    brazil-uerj Repository record for A originalidade da obra de Ignacio Ferreira Pinto no contexto da talha carioca na segunda metade do século XVIII (opens in a new tab)

  2. A talha religiosa da segunda metade do século xix no Rio de Janeiro, através do seu artista maior, Antonio de Pádua e Castro

    … mentioned. At the same time, it broaches the wood carving technic problems in that stage of the history, making use of the works of Pádua e Castro, whose production is the most expressive of that period. It was imperative, as first stage of the work, to realize an historical-documental …

    brazil-uerj Repository record for A talha religiosa da segunda metade do século xix no Rio de Janeiro, através do seu artista maior, Antonio de Pádua e Castro (opens in a new tab)

  3. Aspects of twentieth century black South African art, up to 1980. Volume I

    … art forms, found essentially in figurative wood carving and mural painting, discussed in Chapter 2. Chapter 3 looks at four black urban painters

    cape-town Repository record for Aspects of twentieth century black South African art, up to 1980. Volume I (opens in a new tab)

  4. Tourism participation in the Isimangaliso wetland park: perceptions, practices and prospects

    … include: killing wild animals, cutting trees for wood carving and medicinal purposes without permission from the Isimangaliso Wetland Park Authority. In addition, the number of hijacked tourist cars in the area is increasing and other serious criminal activities directed to tourists are becoming …

    zulu Repository record for Tourism participation in the Isimangaliso wetland park: perceptions, practices and prospects (opens in a new tab)

  5. Amos Alonza Stagg in wood

    … to the material. The medium used is Jarrah wood. It is hard enough to suggest strength, red enough to imply warmth, and yet soft enough to be in sympathy with the generosity of the man portrayed. Stone is cold. It would be more suitable to a portraiture of a Rockefeller, certainly not a …

    u-pacific Repository record for Amos Alonza Stagg in wood (opens in a new tab)

  6. Visual Culture Of The Santals And Their Image: Myth, Morals And Materiality

    Many Indian tribes have a rich and diverse repertoire of material produce, and among them the Santal artistic heritage is not only little known, but also reveals deeply existential imperatives through its mythology and history. The purpose of this thesis has been two-fold – firstly, to …

    cambridge Repository record for Visual Culture Of The Santals And Their Image: Myth, Morals And Materiality (opens in a new tab)