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Showing 1 to 12 of 12 for “"white cube"”.

  1. CONTAINERS OF ELECTRONIC ART: DISPLAYING ELECTRONIC ART IN ‘WHITE CUBE’ AND EXPERIMENTAL SPACES

    … presented together to illustrate the traditional white cube; ZKM Centre for Art and Media’s Media Museum, an experimental space solely dedicated to exhibiting interactive and electronic art; and InterAccess Electronic Media Arts Centre, which employs both of the above exhibition styles. Through …

    uwo Repository record for CONTAINERS OF ELECTRONIC ART: DISPLAYING ELECTRONIC ART IN ‘WHITE CUBE’ AND EXPERIMENTAL SPACES (opens in a new tab)

  2. The Collection Displays of the Ateneum Art Museum in 1915, 1931 and 1959

    … the course of several decades by the modern ‘white cube’ that fully manifested itself at the Ateneum Art Museum by the 1950s. In doing so, the thesis utilises texts that analyse the space as a social construction in order to understand the latent connotations behind each display. The first …

    helsinki Repository record for The Collection Displays of the Ateneum Art Museum in 1915, 1931 and 1959 (opens in a new tab)

  3. Il museo: dallo spettacolo allo spettatore. Dispositivi, Sguardi, Strategie

    … often rigidly attached to the text; from the white cube to the dark box, the museum seems to always need a frame. The current research project aims to analyze the typology of the intended and prefigured use by the organization of museum space and spectacle. Keywords: museum, semiotic, …

    catania Repository record for Il museo: dallo spettacolo allo spettatore. Dispositivi, Sguardi, Strategie (opens in a new tab)

  4. Testing the Curatorial in Artists’ Film and Video Installation

    … language of the visual arts, the context of the white cube and the privileged definitions of curatorial practice. This PhD also places these questions in a historical context, taking into account the early and often overlooked developments of artists’ film and video exhibition. This research was …

    westminster Repository record for Testing the Curatorial in Artists’ Film and Video Installation (opens in a new tab)

  5. In the Mouth of the Cave: Subterranean Site-Specific Writing Practices in Britain from William Wordsworth to Katrina Palmer

    Visual art’s departure from the white cube in the mid-twentieth century precipitated what Lucy Lippard declares the ‘dematerialization’ of sculpture at the same moment poetic practices begin to query language as a situated medium. As sculpture becomes increasingly engaged with the absence of its …

    cambridge Repository record for In the Mouth of the Cave: Subterranean Site-Specific Writing Practices in Britain from William Wordsworth to Katrina Palmer (opens in a new tab)

  6. The Land of Reverie

    … and imaginative playscapes my work expands the white cube gallery into an immersive extension of my imagination. By viewing the canvas as a portal into a world where limitations dissolve, I paint acidic colors, fluid boundaries, and a malleable reality.</p> <p>My studio practice is inspired by …

    wustl Repository record for The Land of Reverie (opens in a new tab)

  7. American women sculptors in Rome in the mid-nineteenth century: feminist and psychoanalytic readings of a displaced canon

    Henry James's phrase, `white, marmorean flock', has become the defining image for the American women sculptors who worked in Rome in the midnineteenth century at the height of neoclassicism, subsuming their works and histories under the connotations of its words. Instead of simply permitting us to …

    whiterose Repository record for American women sculptors in Rome in the mid-nineteenth century: feminist and psychoanalytic readings of a displaced canon (opens in a new tab)

  8. Policy-Oriented Art: Developing Disaster Displacement Norms in Diplomatic Venues

    … within diplomatic venues as compared to “white cube activist” curatorial strategies that address the public at large from within art institutions. Together, these provide a cross-disciplinary foundation for future research and practice at a time when the climate emergency and other global …

    arts-london Repository record for Policy-Oriented Art: Developing Disaster Displacement Norms in Diplomatic Venues (opens in a new tab)

  9. Spatial representation in drawing: The influence of size, viewpoint, and observation on drawing development

    … assigned to four treatment conditions (big-front cube, small-front cube, big-corner cube, and small-corner cube) and participated in all three tasks, including drawing from memory (Task 1), drawing from observation (Task 2), and judgment task (Task 3). In the Task 2 and 3, a white cube was shown …

    uiuc Repository record for Spatial representation in drawing: The influence of size, viewpoint, and observation on drawing development (opens in a new tab)

  10. The horror film genre as an interpretive device in an adaptation of Tennessee Williams 's Suddenly last summer

    … that serves as metaphor for both cinema and the white cube of the gallery. This choice of staging is meant to refer to Catharine's mention of the "blazing white wall" against which her cousin's body was thrown after his death. In fact, all throughout Catharine's description of how and why …

    cape-town Repository record for The horror film genre as an interpretive device in an adaptation of Tennessee Williams 's Suddenly last summer (opens in a new tab)

  11. White Cubes - Gendered Cubes : Einschreibungen von Geschlecht in die diskursiven Praktiken von Kunstmuseen ; eine Untersuchung am Beispiel der Hamburger Kunsthalle

    … Doch Kunstmuseen sollten nicht als „White Cubes“ betrachtet werden, wie Brian O’Doherty diese Objektivität vortäuschende Ausstellungsinszenierung bezeichnete, sondern als interessengeleitete Instrumente der Wissensproduktion. Die vorliegende Studie zeigt mittels der Analyse der …

    oldenburg Repository record for White Cubes - Gendered Cubes : Einschreibungen von Geschlecht in die diskursiven Praktiken von Kunstmuseen ; eine Untersuchung am Beispiel der Hamburger Kunsthalle (opens in a new tab)