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Showing 1 to 9 of 9 for “"vocal compositions"”.

  1. Sacred Vocal Compositions Including Trumpet Parts by Pavel Josef Vejvanovsky (c.1639--1693)

    … a refreshing and individual approach to his compositions, particularly in his use of color and harmonic style. His expressive use of dissonance is manifested in his trumpet parts by consistent use of impure partials and intentional melodic and harmonic clashes. Vejvanovsky tends to stress the …

    uiuc Repository record for Sacred Vocal Compositions Including Trumpet Parts by Pavel Josef Vejvanovsky (c.1639--1693) (opens in a new tab)

  2. The Choral Music of Paul Patterson (Great Britain)

    … on Mr. Tim Rose Price, a collaborator for his vocal compositions.

    uiuc Repository record for The Choral Music of Paul Patterson (Great Britain) (opens in a new tab)

  3. Selected Lute Music from Paris, Rés. Vmd. Ms. 27 from the Bibliothèque Nationale: Reconstruction, Edition, and Commentary

    … solos and eighty-six accompaniments for vocal compositions. The manuscript was copied in Italian lute tablature lacking rhythm signs, which makes it inaccessible for modern performance. Each selection contains a full score of the four-part vocal concordance, and the reconstructed lute …

    unt Repository record for Selected Lute Music from Paris, Rés. Vmd. Ms. 27 from the Bibliothèque Nationale: Reconstruction, Edition, and Commentary (opens in a new tab)

  4. "A Study of Parody Settings Based on a French Chanson ""Je Suis Desheritee"

    Collections of polyphonic vocal compositions were an important component of the catalogues of music publishers in the Renaissance. Important collections of original works, as well as arrangements of previously issued compositions, were printed and reprinted, often in different cities and by …

    uiuc Repository record for "A Study of Parody Settings Based on a French Chanson ""Je Suis Desheritee" (opens in a new tab)

  5. Paraliturgicalism in the vespers sequence of Ivan Moody

    … writings and performing editions. Moody’s own compositions are influenced by and maintain a stream of continuity with the school of sacred minimalist composers like Arvo Pärt, John Tavener, and Henryck Gorecki. His vocal compositions often exhibit “paraliturgicalism” –a term he uses and in part …

    uiuc Repository record for Paraliturgicalism in the vespers sequence of Ivan Moody (opens in a new tab)

  6. “Hallo, Hallo! Achtung! Achtung!...” : a performer's guide to the Theresienstadt compositions of Viktor Ullmann for the mezzo-soprano

    Viktor Ullmann’s vocal compositions are exceptional works of art that were forgotten for decades and are infrequently performed in North America. Ullmann (1898-1944) developed his mature compositional style during his two-year imprisonment in the Nazi ghetto of Theresienstadt. A student of Arnold …

    ballstate-thes Repository record for “Hallo, Hallo! Achtung! Achtung!...” : a performer's guide to the Theresienstadt compositions of Viktor Ullmann for the mezzo-soprano (opens in a new tab)

  7. Textual-musical relationships in three choral works by Dominick Argento: Walden Pond, The Vision and Sonnet LXIV (In Memoriam 9/11/01)

    … genre, but he is best known for his vocal compositions, in particular for his operas and song cycles. Though Argento’s renown can be attributed chiefly to his work in the two aforementioned genres, his twenty-seven choral works comprise the largest portion of his output. These works, …

    uiuc Repository record for Textual-musical relationships in three choral works by Dominick Argento: Walden Pond, The Vision and Sonnet LXIV (In Memoriam 9/11/01) (opens in a new tab)

  8. Music Making in Iran: Developments Between the Sixteenth and Late Nineteenth Centuries

    … a number of <em>āvāz</em>s interspersed with vocal and instrumental compositions. In the second half of the nineteenth century,two stylistic schools with different arrangements of modulatory schemes and performance formats (<em>dastgāh</em>s) were prevailing at the Qajar court. The first …

    cuny-grad Repository record for Music Making in Iran: Developments Between the Sixteenth and Late Nineteenth Centuries (opens in a new tab)