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Showing 1 to 5 of 5 for “"violin pedagogy"”.
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The physiological learning process underlying the development of left-hand technique in violinsts
In violin pedagogy, the left hand has often been referred to as the artisan and the right hand the artist of the violinist. This general approach to the playing of the violin sheds light on the importance that must be placed on the development of a sound left-hand technique from an early stage. …
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Performing with a Personal Musical Identity: An Examination of Musicians' Distinctive Personalities in Performances of Bach's Solo Violin Sonatas and Partitas
… Bach’s Solo Sonatas and Partitas for Solo Violin is a major challenge in American violin pedagogy today. A significant reason for this can be traced historically to the mid-20th-century, when performances influenced by modernist ideology became prevalent in the classical music world. Under …
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Essays in the Theory and Practice of the Suzuki Method
… that is widely misunderstood by the string-pedagogy community, including the Suzuki community itself. While chapters 2 and 3 of this dissertation can be understood as free-standing essays, their topics have been carefully chosen to complement and intersect with each other. </p> <p>Chapter 2 …
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Selected Violin Works of Alan Scott ‘Vaness’ Chakmakjian Hovhaness: Two New Performance Editions with Historical Discussion, Compositional Style Overviews, and Pedagogical Considerations
… new editions created for this document supply violinists with usable performance copies, greatly increasing the likelihood of their future performance. In addition, historical discussion, compositional style overviews, and pedagogical considerations are presented for these pieces. Finally, a …
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Bow Articulations in the Late Galant (1775–1812): An Analysis of Bow Strokes in Selected Violin Sonatas of Mozart and Beethoven
<p>This study examines the evolving use of the violin bow during the late<em> galant</em> and Classical era (1776-1812) by means of several violin sonatas by Wolfgang Amadeus Mozart and Ludwig van Beethoven (K. 305, K. 454. Op. 12, No. 1, Op. 96). An analysis of bow articulations supplemented with …