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Showing 1 to 6 of 6 for “"viola da gamba"”.
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A performance guide of J.S. Bach's viola da Gama sonatas transcribed for viola
As a viola player who is currently learning the viola da gamba sonatas, I have noted a significant dearth of literature in this focal area. This has been particularly evident when approaching the viola transcriptions of Bach’s solo cello suites and viola da gamba sonatas. My aim is to create a …
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EARLY INSTRUMENTS IN 21ST CENTURY COMPOSITION AND AN ORIGINAL COMPOSITION FOR SAXOPHONES AND VIOLS
… effectively utilize early instruments like the viola da gamba, harpsichord, lute, and recorder in their compositions.</p> <p>The document also contains interview transcripts from eight composers and performers, including Nico Muhly, Liam Byrne, Martha Bishop, David Loeb, Yukimi Kambe, Sarah …
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Problemas sobre tocar e ensinar piano:uma contribuição pedagógica de G. Kochevitsky
RESUMO Este trabalho apresenta as atividades desenvolvidas durante o curso de Mestrado Profissional em Música, na área de Criação/Interpretação, pertencente ao Programa de Pós-Graduação Profissional em Música – PPGPROM, da Universidade Federal da Bahia, sob a orientação da Profa. Dra. Ekaterina …
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Aspects of George Philipp Telemann's Nouvelaux quatuors, in particular their possible influence on the conversations galantes of Louis-Gabriel Guillemain
… Telemann’s scoring: that of traverso, violin, viola da gamba or cello, and basso continuo. It has to be noted, however, that Guillemain specifies the viol for the third obbligato line, whereas Telemann offers cello as an alternative. This in itself is of considerable interest. The relatively …
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Chord Conundrum: Examining the Performance Practice of Polyphonic Figures in J.S. Bach's Solo Violin Works
… faded with the passing of time. Violinists today consistently struggle with studying and performing a set of works from the musical period referred to by scholars as the Baroque era (1600-1750), the Sonatas and Partitas for Violin without Bass accompaniment, composed by Johann Sebastian Bach …
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The transcription for two double basses of selections from Pièces de violes, Quatrème livre, Deuxiême partie: Suitte d'un Goût Etranger by Marin Marais
Marin Marais (1656-1728) was one of the most celebrated bass viol composer-performers of the French school from the late seventeenth century to the early eighteenth century. The purpose of this project is to introduce some of his music to double bass players through transcriptions. The monograph …