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Showing 1 to 17 of 17 for “"vibraphone"”.

  1. Jazz vibraphone as a chordal instrument: a comprehensive guide to comping and block chord techniques

    Made available in DSpace on 2018-09-04T20:27:13Z (GMT). No. of bitstreams: 3 SHAW-RUTSCHMAN-DISSERTATION-2018.pdf: 15366571 bytes, checksum: 28c76e1fd26e51aabcc453f6ce18f15f (MD5) LICENSE.txt: 4217 bytes, checksum: b6cdcebf023f9c08c6f6da3aa438e145 (MD5) PROQUEST_LICENSE.txt: 4563 bytes, checksum: …

    uiuc Repository record for Jazz vibraphone as a chordal instrument: a comprehensive guide to comping and block chord techniques (opens in a new tab)

  2. An historical survey of the development of the vibraphone as an alternative accompanying instrument in jazz

    … available recordings of performances where the vibraphone alone performs the role of harmonic accompanist in the jazz ensemble, this study looks at the historical development of the use of the vibraphone as an alternative harmonic accompanying instrument. Descriptive analyses of key recordings …

    cape-town Repository record for An historical survey of the development of the vibraphone as an alternative accompanying instrument in jazz (opens in a new tab)

  3. Alfredo de Souza, o Mesquita do Vibrafone: pioneirismo e contribuição para a linguagem do vibrafone chorão.

    … builder in the history of the Brazilian popular vibraphone; Alfredo de Souza, the vibraphone Mesquita. The documentary, bibliographical,and survey research was carried out in the master's course of the Professional Graduate Program in Music (PPGPROM) and was divided into three parts: a memorial …

    brazil-ufba Repository record for Alfredo de Souza, o Mesquita do Vibrafone: pioneirismo e contribuição para a linguagem do vibrafone chorão. (opens in a new tab)

  4. I. On Process II. Portfolio of Compositions

    … harp and harmonium (2006) 6. Twister Season for vibraphone, marimba, two pianos, cello and double bass (2006) 7. Six Journeys for bass clarinet and piano (2006/2007) 8. horrifictionalexander graham belladonna for flute, guitar and bass clarinet (2007) 9. Stalking the Unseeable Animal for flute, …

    glasgow Repository record for I. On Process II. Portfolio of Compositions (opens in a new tab)

  5. Five Seasons: A composition for flutist and percussionist

    … different instruments in each movement: the vibraphone for Mid-Summer; the xylophone for Fall; the woodblock, temple block, and cowbells for Spring; the glockenspiel for Summer; and the marimba for Winter. The five movements of this work - Mid-Summer, Fall, Spring, Summer, and Winter - are …

    unt Repository record for Five Seasons: A composition for flutist and percussionist (opens in a new tab)

  6. The Prayer of Daniel: for flute (with alto flute), clarinet (with bass clarinet), violin, cello, doumbek, percussion, piano, bass-baritone voice, and men's chorus

    … clarinet, violin, cello, piano, percussion on vibraphone and marimba, doumbek (a middle eastern drum), and men's chorus (TTBB). The approximate duration is thirty minutes. The text comes from the Old Testament book of Daniel, Chapter 9 verses 4 through 19. In these passages the prophet Daniel …

    unt Repository record for The Prayer of Daniel: for flute (with alto flute), clarinet (with bass clarinet), violin, cello, doumbek, percussion, piano, bass-baritone voice, and men's chorus (opens in a new tab)

  7. GYPSY SPIRIT SUITE: AN ORIGINAL JAZZ MANOUCHE COMPOSITION FOR LARGE ENSEMBLE

    … winds, horns, strings, guitar, cimbalom, vibraphone, and percussion. The composition integrates jazz manouche (gypsy jazz) elements, such as chromatic passing chords, virtuosic melodic runs, and la pompe rhythm, into a large ensemble. Modal interchange, extended harmonies, and fusion with …

    sfasu Repository record for GYPSY SPIRIT SUITE: AN ORIGINAL JAZZ MANOUCHE COMPOSITION FOR LARGE ENSEMBLE (opens in a new tab)

  8. Aesthetic Models and Structural Features in Concerto for Solo Percussion and Concert Band

    … the first features marimba, the second, vibraphone, and the third movement features the drum kit together with a rhythm section (piano, bass, and drums). In addition to the piece, the dissertation paper discusses important technical detail related to the piece, including: harmony, form, …

    unt Repository record for Aesthetic Models and Structural Features in Concerto for Solo Percussion and Concert Band (opens in a new tab)

  9. Qiuci fantasy for full orchestra

    … in both movements, in such instruments as harp, vibraphone, alto flute, and bassoon. Lots of pizzicatos in strings were used to imitate the pipa performance in Qiuci music.

    umkc Repository record for Qiuci fantasy for full orchestra (opens in a new tab)

  10. The Birth of the Eternal for String Orchestra, Piano and Percussion

    … my own feelings and look to the past. The vibraphone aims to create a feeling of spiritual awakening in combination with the strings. It also supports the narrative function of the piano. The piece has a sectional, sequential structure that is similar to liturgy. The absence of contrasts …

    umkc Repository record for The Birth of the Eternal for String Orchestra, Piano and Percussion (opens in a new tab)

  11. Respectability and The Modern Jazz Quartet; Some Cultural Aspects of Its Image and Legacy As Seen Through the Press

    … Lewis (piano and director), Milt “Bags” Jackson (vibraphone), Ray Brown (bass) and Kenny “Klook” Clarke (drums)—first performed together in Dizzy Gillespie’s big band in 1946.1 Lewis (1920-2005), Jackson (1923-1999), Brown (1926- 2002), and Clarke (1914-1985) first recorded as a group, calling …

    cuny Repository record for Respectability and The Modern Jazz Quartet; Some Cultural Aspects of Its Image and Legacy As Seen Through the Press (opens in a new tab)

  12. Sacred Voices of the Golden Horn

    … E-flat, bass), violin, cello, percussion (vibraphone, hand drums), and piano. In this work, I explored transmutations and combinations of a variety of musical material derived from the musical traditions of several minority religious communities in Istanbul. I transformed the material into …

    calgary Repository record for Sacred Voices of the Golden Horn (opens in a new tab)

  13. Brightside for Orchestra

    … one bass trombone, one tuba, timpani, xylophone, vibraphone, and strings) inspired by my life on Brightside Drive in Baton Rouge, Louisiana. The different compositional materials used in the piece reflect different aspects of my life.I see life as an interplay between steadiness and contrast and …

    toronto-retro Repository record for Brightside for Orchestra (opens in a new tab)

  14. A modal method for the simulation of nonlinear dynamical systems with application to bowed musical intruments

    … as the violin or cello, bowed bars, such as the vibraphone or marimba, and bowed shells as the Tibetan bowl or the glass harmonica. The successful implementation of the method in these instruments is shown by comparison with measured results and with other simulation methods. This approach is …

    soton Repository record for A modal method for the simulation of nonlinear dynamical systems with application to bowed musical intruments (opens in a new tab)

  15. Change for Orchestra and Soprano

    … trombone, tuba; timpani, three percussion (bowed vibraphone, bass drum, tubular bells, bowed crotales, glockenspiel, marimba, handbells); harp, and strings (suggested 16 14 10 10 6). “Change” uses a linear form in seven sections (relating to the structure of the text). The work in some sense is …

    toronto-retro Repository record for Change for Orchestra and Soprano (opens in a new tab)

  16. Inaudible acoustics: Techniques and applications

    This dissertation is focused on developing a sub-area of acoustics that we call inaudible acoustics. We have developed two core capabilities, (1) BackDoor and (2) Ripple, and demonstrated their use in various mobile and IoT applications. In BackDoor, we synthesize ultrasound signals that are …

    uiuc Repository record for Inaudible acoustics: Techniques and applications (opens in a new tab)