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Showing 1 to 5 of 5 for “"urban music"”.

  1. (In)visible entrepreneurs: creative enterprise in the urban music economy

    … operate in the informal creative economy. Grime music, a black Atlantic creative expression, is used as a lens through which to explore and analyse the nature of entrepreneurship within this sector. East London, a site of poverty, movement and migration is the geographical starting point for the …

    greenwich Repository record for (In)visible entrepreneurs: creative enterprise in the urban music economy (opens in a new tab)

  2. Creativity, Capital and Entrepreneurship: The Contemporary Experience of Competition in UK Urban Music

    … by creative labour in the context of UK urban music by employing an experimental ethnographic research approach. Between 2010-2013, observations, interviews and textual analysis were conducted with two case-study ‘MCs’, alongside reflexive autoethnographic analysis of the author’s own …

    east-anglia Repository record for Creativity, Capital and Entrepreneurship: The Contemporary Experience of Competition in UK Urban Music (opens in a new tab)

  3. Urban Music: A Case Study of Communities of Learning in a Music School

    The musical experiences observed during this study provided evidence of the value of partnering among instructors and students, promoting an environment for musical learning, and facilitating music literacy in urban styles. Moreover, the teaching strategies used suggested a need for music educators …

    uiuc Repository record for Urban Music: A Case Study of Communities of Learning in a Music School (opens in a new tab)

  4. Performing Blackness in a Mulatto Society: Negotiating Racial Identity through Music in the Dominican Republic

    … and ethnic identity through an examination of music and music cultures. Previous studies of Dominican identity have focused primarily on the racialized invention of the Dominican nation as white, or non-black, often centering on the building of Dominican identity in (sometimes violent) …

    cuny-grad Repository record for Performing Blackness in a Mulatto Society: Negotiating Racial Identity through Music in the Dominican Republic (opens in a new tab)

  5. Music as a birthright: Chicago's Old Town School of Folk Music and participatory music making in the twenty-first century

    The Old Town School of Folk Music (OTSFM), founded in 1957 on Chicago’s North Side, has over the course of its history developed pedagogies and social practices to transform its urban, cosmopolitan students from music consumers to music participants. By the 2000s, it had become the largest …

    uiuc Repository record for Music as a birthright: Chicago's Old Town School of Folk Music and participatory music making in the twenty-first century (opens in a new tab)