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Showing 1 to 7 of 7 for “"tonal structure"”.
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Tonal Structure in the Early Works of Anton Webern. (With Original Composition by Author) Orchestra Music in Five Movements (1959--1962)
Made available in DSpace on 2014-12-05T21:10:40Z (GMT). No. of bitstreams: 1 6206106.pdf: 15991372 bytes, checksum: 7aae5534aada5ddee205d6f559e06236 (MD5) Previous issue date: 1962
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Tonal and Formal Structure in Selected Larger Works of Chopin
… named is a Schenkerian investigation of the tonal unfolding, formal subdivision, and performance interpretation of three large Chopin solo works: the Ballade Op. 38, the Fantaisie Op. 49, and the Polonaise-Fantaisie Op. 61, each of which is characterized by rather unusual tonal and/or formal …
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Rachmaninoff's Rhapsody on a Theme by Paganini, Op.43; Analysis and Discourse
… relation to the theme, designs the large-scale tonal and formal organization, and unifies the theme and variations as a whole. The selected analytical approach is linear in orientation - that is, Schenkerian. In the course of the analysis, close attention is paid to motivic detail; the …
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A performer's analysis of the bass roles in selected Old Testament narrative English oratorios of George Frideric Handel
… literary rhyme scheme (if applicable), and tonal structure of each aria and recitative. Compositional devices that are used in melodic construction, level of difficulty, and maturity of voice needed for performance will be also be discussed for each aria and recitative. Chapter 1 of the …
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Polyfocal structures in Franz Schubert's Lieder
… the principle governing nearly all earlier tonal composition was monotonality. Monotonality explains the structure of most tonal compositions, but there are numerous examples for which monotonal analysis is inadequate, especially in music of the later nineteenth century. Deformations of …
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The evolution of Chopin's 'structural style' and its relation to improvisation.
… confined to foreground details without regard to tonal structure, This study of Chopin's 'improvisatory' works - stile brillante repertoire, early dance pieces, F minor Fantasy and Polonaise-Fantasy - reveals that improvisatory practices were also important in the evolution of his 'structural …
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Voice Leading in Fugue
… as an elaboration of a simpler quasi-fugal substructure. I argue that such a conception is untenable. Since Bach continually sets thematic entries in different contexts, one cannot assume that a surface repetition of a theme implies an underlying repetition of a melodic and/or harmonic pattern. …