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Showing 1 to 9 of 9 for “"theatre criticism"”.

  1. The Theatre Criticism of James Agate

    Made available in DSpace on 2014-12-05T22:51:03Z (GMT). No. of bitstreams: 1 0011486.pdf: 10389856 bytes, checksum: 70be57817ac198c66b29340067e5dbde (MD5) Previous issue date: 1955

    uiuc Repository record for The Theatre Criticism of James Agate (opens in a new tab)

  2. The Theatre Criticism of Andrew Carpenter Wheeler

    Made available in DSpace on 2014-12-11T23:56:12Z (GMT). No. of bitstreams: 1 7207116.pdf: 7978702 bytes, checksum: c33d31de31fe0085d07de54c3e0cc56e (MD5) Previous issue date: 1971

    uiuc Repository record for The Theatre Criticism of Andrew Carpenter Wheeler (opens in a new tab)

  3. The Theatre Criticism of John Ranken Towse

    Made available in DSpace on 2014-12-10T17:03:22Z (GMT). No. of bitstreams: 1 6910796.pdf: 6921610 bytes, checksum: cbc0986e23b1025bb8dc70a013933b03 (MD5) Previous issue date: 1968

    uiuc Repository record for The Theatre Criticism of John Ranken Towse (opens in a new tab)

  4. The Theatre Criticism of Walter Prichard Eaton, 1905-1930

    Made available in DSpace on 2014-12-05T22:51:34Z (GMT). No. of bitstreams: 1 6303307.pdf: 7565351 bytes, checksum: c4b8f996386803cac4197b89609b478c (MD5) Previous issue date: 1962

    uiuc Repository record for The Theatre Criticism of Walter Prichard Eaton, 1905-1930 (opens in a new tab)

  5. Spaces of Appearance: Writings on Contemporary Theatre and Performance

    … reflects a plural and evolving engagement with theatre and performance over the past fifteen years or so: as researcher, writer, editor, teacher, practitioner, spectator. These have rarely been discreet categories for me, but rather different modalities of exploration and enquiry, interrelated …

    plymouth Repository record for Spaces of Appearance: Writings on Contemporary Theatre and Performance (opens in a new tab)

  6. A scenographic analysis of emergent British 'national' identity, on the stages of the National Theatre between 1995-2005

    … of design on the stages of the UK's National Theatre during an era where identity is being used as a political tool. The 'new ideologies' of regionalism,multiculturalism and globalisation are identified as provocative catalysts that are expressed within selected designs and are seen as …

    arts-london Repository record for A scenographic analysis of emergent British 'national' identity, on the stages of the National Theatre between 1995-2005 (opens in a new tab)

  7. The sound of meaning: theories of voice in twentieth-century thought and performance

    … theory and contemporary performance criticism. The problem has antecedents in twentieth-century language philosophy. Saussure defines language as a compendium of arbitrary words recognized according to the degrees of phonetic difference between them. Since for Saussure the arbitrary …

    lsu-thes Repository record for The sound of meaning: theories of voice in twentieth-century thought and performance (opens in a new tab)

  8. Writing About Theatre

    Criticism and business writing.

    kennesaw Repository record for Writing About Theatre (opens in a new tab)