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Showing 1 to 20 of 204 for “"symphony"”.
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Chamber Symphony
“Chamber Symphony” is a symphony for chamber orchestra (flute/piccolo, oboe/english horn, clarinet, bassoon, two horns in F, piano, and strings) and soprano. It is in a nesting doll structure. That is, there are increasingly smaller forms within the overall largest form; the single symphony form …
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Symphony No. 2
Symphony No. 2 by Daniel Mehdizadeh Doctor of Musical Arts in Composition Graduate Department of Music University of Toronto © Copyright by Daniel Mehdizadeh 2020. Abstract Texture: One aspect of my approach is concerned with canonic layering of the various instruments and voices; I have explored …
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Symphony No. 1
Symphony No. 1 is an orchestral composition for twenty-four instrumental groups without percussion instruments. It was composed with Algorithmic Composition System software, which gives driving forces for composition to the composer through the diverse compositional methods largely based on …
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SYMPHONY. (ORIGINAL COMPOSITION)
SYMPHONY is a musical composition for large orchestra. It is in one movement of approximately twenty-three minutes duration. The form of the work is a fusion of multi-movement symphonic procedures with the single-movement sonata principle of contrasting thematic material. The work is in four large …
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Symphony no. 1
Thesis (D.M.A.)--Boston University
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Symphony In G Minor
37 leaves
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Symphony No. 1, "Distractions"
Symphony No. 1, "Distractions" by Britt Andrew Burns Composition for Symphony No. 1, Distractions began in Fall 2005 when the composer was living in north England. The first of the three-movement work was completed that fall with the other two finished in the winter of 2006. The inspiration behind …
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SYMPHONY NO. 2 “SYMPHONY OF CHORALES” BY LUKAS FOSS: A STUDY IN COLLAGE AND MUSICAL BORROWING
In his second symphony, the Symphony of Chorales (1958), Foss seems to be struggling to merge two identities, his Stravinskian Neoclassicism and his improvisation-influenced experimentalism. The mature Foss is first able to blend these two disparate styles with the premiere of American Cantata in …
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The income gap and symphony orchestras
Symphony orchestras are the supposed victims of a malignant disease entitled "Baumol's Disease" which occurs as costs rise at a faster rate than earned income. The gap between earned income and costs is called the "Income Gap." The remedy is injections of cash to stop the disease from expanding; …
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Revelations : a choral symphony of praise
Thesis (Ph. D.)--Michigan State University. Dept. of Music Composition, 1990
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Sonata Form in Beethoven's Sixth Symphony
… in three of the five movements in his Pastoral Symphony. However, despite employing sonata form procedures, he achieves a totally opposite effect from Rosen’s heightened drama—in the Pastoral Beethoven employs sonata form to achieve calm, placid, stasis. The purpose of this thesis is to examine …
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Symphony No. 1, "fall with me"
Symphony No. 1, "fall with me" is a five-movement work--approximately thirty-five minutes in duration--that explores intramusical thematic relationships through the use of cyclic themes, reminiscence motives, and an adapted version of Igor Stravinsky's "poles of attraction" concept. This is …
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Heart of the Fathers, for Wind Symphony
… is a programmatic, seven movement work for wind symphony depicting my ancestors and their role as part of the history of The Church of Jesus Christ of Latter-day Saints. The movements represent their spiritual experiences, labors, times of joy, persecution, migration, and finally their arrival …
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Breaking Through: A Composition for Symphony Orchestra
… Through is a single-movement composition for symphony orchestra based on a fourteen-note melody. Every harmonic and melodic figure except the bass line is derived from this source melody. The structure of the work is based on a number of musical dichotomies that work on both local and …
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Robert Schumann's Symphony in D Minor, Op. 120: A Critical Study of Interpretation in the Nineteenth-Century German Symphony
Robert Schumann's D-minor Symphony endured harsh criticism during the second half of the nineteenth century because of misunderstandings regarding his compositional approach to the genre of the symphony; changes in performance practices amplified the problems, leading to charges that Schumann was …
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Mahler's Third Symphony and the Languages of Transcendence
… compositional efforts, Gustav Mahler’s Third Symphony embodies cultural, political, and philosophical ideals of the Viennese fin-de-siècle generation. Comprising six enormous movements and lasting over ninety minutes, the work stretches the boundaries of symphonic form while simultaneously …
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