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Showing 1 to 20 of 45 for “"soundtrack"”.

  1. Audiovisual Afterlives: The Soundtrack of Liberal Nostalgia

    … of these artists through contemporary television soundtracks, which have preserved the legacy of twentieth century musicians, we can glean moments where a soundtrack of liberal nostalgia begins to form. Drawing on sound studies, gender and race theory, and postmodern media critique, “Audiovisual …

    cuny-grad Repository record for Audiovisual Afterlives: The Soundtrack of Liberal Nostalgia (opens in a new tab)

  2. Finding Home: Creating a Video Game Soundtrack

    … I simulated the experience of creating a soundtrack for a video game by collaborating with Noelani Wood, a local artist, and consulting with Dr. Ogburn, the composition professor at Columbus State University.</p>

    columbus-state Repository record for Finding Home: Creating a Video Game Soundtrack (opens in a new tab)

  3. Characterizing Audio Events for Video Soundtrack Analysis

    … technology that could help to interpret video soundtrack data would also be applicable in a number of other scenarios, such as mobile device audio awareness, surveillance, and robotics. In this thesis we approach the problem of extracting information from these kinds of unconstrained audio …

    columbia-diss Repository record for Characterizing Audio Events for Video Soundtrack Analysis (opens in a new tab)

  4. Mongolian Folklore Expressed through Music Technology Original Multimedia Soundtrack on Horseback

    I returned to my hometown and recorded Mongolian folk music- Mongolian Long Song and Mongolian Throat Singing. I wanted to combine technology and traditional folk music and write an electronic piece based on Mongolian vocal materials. I used what I've sampled, manipulated the sounds, composed the …

    duquesne Repository record for Mongolian Folklore Expressed through Music Technology Original Multimedia Soundtrack on Horseback (opens in a new tab)

  5. Soundtrack: the Significance of Music in the Films Written and Directed by Quentin Tarantino

    This thesis will examine the significance of pre-existing music in writer and director Quentin Tarantino's feature-length films Reservoir Dogs, Pulp Fiction, Jackie Brown, Kill Bill Volume I, and Kill Bill Volume II. This examination will show that the music in these films not only plays a pivotal …

    wfu Repository record for Soundtrack: the Significance of Music in the Films Written and Directed by Quentin Tarantino (opens in a new tab)

  6. The Integrated Soundtrack in Practice: an Electroacoustic Sensibility to Composition in Film Sound Design

    This practice-led doctoral research investigates integrated approaches to filmmaking through the lens of sound design and electroacoustic composition, advancing a relational understanding of film practice in which creative processes emerge through dynamic interrelations between filmmakers, …

    de-montfort Repository record for The Integrated Soundtrack in Practice: an Electroacoustic Sensibility to Composition in Film Sound Design (opens in a new tab)

  7. The Postnational Soundtrack: Defining the Canadian Documentary Film Score Through Identity, Space, and Compositional Practice

    In a 2012 National Post article, renowned Canadian documentary filmmaker and journalist Kevin McMahon compared documentary film to iconic Canadian symbols, such as the colour red, the maple leaf, and the beaver (McMahon, 2012). Indeed, documentary film holds historical and cultural significance in …

    westminster Repository record for The Postnational Soundtrack: Defining the Canadian Documentary Film Score Through Identity, Space, and Compositional Practice (opens in a new tab)

  8. Original Motion Picture Soundtrack Land of Confusion - a film by Jeremy Zerechak Music Composed by Joseph Miller

    Land of Confusion is a feature film documenting a Pennsylvania National Guard unit's 2004 tour during Operation Iraqi Freedom. The creation of its musical score represents a major milestone in its composer's musical development. In combination with the postproduction remix, also by Joseph Miller, …

    duquesne Repository record for Original Motion Picture Soundtrack Land of Confusion - a film by Jeremy Zerechak Music Composed by Joseph Miller (opens in a new tab)

  9. Soundtracking American smart cinema: self-expression, identity and alienation

    … a variation in its use of the diegetic soundtrack. This has allowed characters within its narratives to use the expressive qualities offered by listening and consuming music, furthering their desires to communicate with other characters and regulate their sense of self-identity. The …

    wlv Repository record for Soundtracking American smart cinema: self-expression, identity and alienation (opens in a new tab)

  10. Creating a sound world for Dracula (Brorwning, 1931).

    … silent and sound films. Dracula’s original soundtrack consists of only a few sonic elements: dialogue and incidental sound effects. Music is used only at the beginning and in the middle (one diegetic scene) of the film; there is no underscoring. The reasons for the ‘emptiness’ of the …

    bournemouth Repository record for Creating a sound world for Dracula (Brorwning, 1931). (opens in a new tab)

  11. A Sonic Arts Approach to Sound Design Practice

    … music and apposite perspectives from film soundtrack studies informs the approach. Over the course of the research, a broadening practical knowledge of theoretical applications influenced the development of the sound design approach and its conceptual framework.<br/><br/>The term 'sonic …

    southwales Repository record for A Sonic Arts Approach to Sound Design Practice (opens in a new tab)

  12. A Game of Musical Layers: An Investigation into the use of a Vertical Layering Soundtrack as an Integral part of the of the Information System of a Video Game

    … the hypothesis that a vertical layering musical soundtrack can be used as an integral part of the information system of a video game. The concept of dynamically controlling music through multiple layers, as well as the idea that music can be used to convey information to players, are currently …

    southwales Repository record for A Game of Musical Layers: An Investigation into the use of a Vertical Layering Soundtrack as an Integral part of the of the Information System of a Video Game (opens in a new tab)

  13. Un Chien Andalou – An Orchestral Film Score

    … factors went into my decision to compose a soundtrack for this movie. It is a well known film and it is relatively short at 22 minutes, conditions conducive to increased performance possibilities. Being silent, it allows for continuous or nearly continuous music, so this soundtrack functions …

    umkc Repository record for Un Chien Andalou – An Orchestral Film Score (opens in a new tab)

  14. Audiovisual spatial congruence, and applications to 3D sound and stereoscopic video

    … s-3D movie and its corresponding 3D audio soundtrack. We first present the procedure followed to obtain this joint 3D video and audio content from an existing animated s-3D movie, problems encountered, and some of the solutions employed. Second, as s-3D cinema aims at providing the …

    liege Repository record for Audiovisual spatial congruence, and applications to 3D sound and stereoscopic video (opens in a new tab)

  15. Exploring theatrical conventions and the application of palimpsest, polyphony, hauntology, and site-specific, through a scenographic lens

    … another way to layer and structure a language or soundtrack that accompanies a site-specific intervention. By engaging with polyphony as the complexity of sound and layering phrases of voices and music to create a polyphonic soundtrack to our spaces of performances or our heritage sites as …

    cape-town Repository record for Exploring theatrical conventions and the application of palimpsest, polyphony, hauntology, and site-specific, through a scenographic lens (opens in a new tab)

  16. A wireless sensor-based mobile music environment complied from a graphical language

    … a synchronized music experience that generates a soundtrack based on the listener's movement. By synchronizing the music to the user's natural rhythms, it encourages the user to maintain a given pace for a longer period of time. I describe extensions to this example that point to a future of …

    mit Repository record for A wireless sensor-based mobile music environment complied from a graphical language (opens in a new tab)

  17. Collaboration and Integration: A Method of Advancing Film Sound Based on The Coen Brothers' Use of Sound and Their Mode of Production. Volume 1.

    … collaboration between those responsible for the soundtrack. The Coens' model serves as a way of highlighting sound's importance and as way of generating more integrated soundtracks. As such, filmmakers should build upon their mode of production; a notion supported by other professionals and …

    bournemouth Repository record for Collaboration and Integration: A Method of Advancing Film Sound Based on The Coen Brothers' Use of Sound and Their Mode of Production. Volume 1. (opens in a new tab)

  18. Collaboration and Integration: A Method of Advancing Film Sound Based on The Coen Brothers’ Use of Sound and Their Mode of Production. Volume 2.

    … collaboration between those responsible for the soundtrack. The Coens' model serves as a way of highlighting sound's Importance and as way of generating more integrated soundtracks. As such, filmmakers should build upon their mode of production; a notion supported by other professionals and …

    bournemouth Repository record for Collaboration and Integration: A Method of Advancing Film Sound Based on The Coen Brothers’ Use of Sound and Their Mode of Production. Volume 2. (opens in a new tab)

  19. Hit-and-Runs: A Memoir

    … in these memoirs are lyrics from songs – a soundtrack for life – sharing with the audience an auditory impact of the recollection. Each of these hit-and-runs are true to experience, with changes to names only if needed to respect the privacy of those involved.</p> <p>Key words: narrative, …

    sfasu Repository record for Hit-and-Runs: A Memoir (opens in a new tab)

  20. Historical Narrative in the Music of Sid Meier’s Civilization VI

    … identity signaled by <em>Civilization IV</em>’s soundtrack. I argue that the music in <em>Civilization VI</em> contributes to a Eurocentric teleological progress narrative of history inherent in the structure of the game: the idea that history is a story of inevitable and positive technological …

    denver Repository record for Historical Narrative in the Music of Sid Meier’s Civilization VI (opens in a new tab)

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