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Showing 1 to 7 of 7 for “"sound object"”.

  1. The unsound object and intimate space

    This research proposes the unsound object and intimate space as new approaches to listening to, writing about and performing creative sound works. The writing and the practical works sketch new territory around these two terms to pluralise sound art histories, with the aim of opening up practical …

    arts-london Repository record for The unsound object and intimate space (opens in a new tab)

  2. The resilience of labrosones in coastal communities bordering the Indian Ocean

    … inclusive organology for labrosones. The central objective of this thesis was to provide a theoretical lens through which labrosones were viewed and studied by engaging; Bates' concept of the social life of instruments (2012), Doubleday's gendered nature of instruments (2008), Binford's analysis …

    cape-town Repository record for The resilience of labrosones in coastal communities bordering the Indian Ocean (opens in a new tab)

  3. Nuair a bha Gaidhlig aig na h-eoin : an investigation into the art and artifice of avifaunal mimesis as a mode of artistic expression in Gaelic oral culture from the seventeenth century to the present

    … for the purposes of emulating a particular sound quality pertinent to an individual species or natural phenomenon, such as the call of the seal or the breaking of waves. The most common of these, however, imitate birds. For the purposes of this analysis, imitation is understood to mean both …

    glasgow Repository record for Nuair a bha Gaidhlig aig na h-eoin : an investigation into the art and artifice of avifaunal mimesis as a mode of artistic expression in Gaelic oral culture from the seventeenth century to the present (opens in a new tab)

  4. A Sonic Arts Approach to Sound Design Practice

    … the development of a sonic arts approach to film sound design. An interdisciplinary conceptual framework that combines selected theories of electroacoustic music and apposite perspectives from film soundtrack studies informs the approach. Over the course of the research, a broadening practical …

    southwales Repository record for A Sonic Arts Approach to Sound Design Practice (opens in a new tab)

  5. On the Simultaneous Perception of Sound and Three-Dimensional Objects

    … the perceptual relationship and possibilities of sound and image are common, relatively litle work has been carried out into multimedia works combining sound and three-dimensional objects. A practice-based investigation into this subject is presented with original artworks and contectual material …

    oxford-brookes Repository record for On the Simultaneous Perception of Sound and Three-Dimensional Objects (opens in a new tab)

  6. Listening to Museums: Sounds as objects of culture and curatorial care

    … of contemporary museums via field recording and sound mapping. Through a critical listening practice, this mapping leads to a central question: can sounds act as objects analogous to physical objects within museum practice – and if so, what is at stake in creating a museum that only exhibits …

    arts-london Repository record for Listening to Museums: Sounds as objects of culture and curatorial care (opens in a new tab)

  7. Third-Millennium Heart, for soprano and ten instruments, and "Constructing Postmodern Objects: Pelle Gudmundsen-Holmgreen's New Simplicity"

    … images from the poetry.“Constructing Postmodern Objects: Pelle Gudmundsen-Holmgreen’s New Simplicity” is an article on the Danish composer Gudmundsen-Holmgreen and his unique version of New Simplicity, an artistic movement that emerged in Denmark in the 1960s. I situate Gudmundsen-Holmgreen in …

    duke Repository record for Third-Millennium Heart, for soprano and ten instruments, and "Constructing Postmodern Objects: Pelle Gudmundsen-Holmgreen's New Simplicity" (opens in a new tab)