Global ETD Search
Search theses and dissertations gathered from participating repositories worldwide. Every result links back to the library that holds it. No account is needed.
Results
Showing 1 to 11 of 11 for “"sound installations"”.
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Control, collaboration and audience engagement in interactive sound installations
This portfolio of sound installations represents a period of development and investigation through three interactive works staged between 2013 and 2016. It looks at how to engage audiences with electronic soundscapes through interactive staging and the challenge of artistic control versus the …
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Beyond the Veil: Revealing the Hidden Qualities of Objects and Spaces through Electroacoustic Audiovisual Experiences
… electroacoustic music. This thesis explores how sound installations that combine practice from both visual art and electroacoustic music can reveal hidden qualities in static objects whilst overtly presenting sounds derived from the objects themselves. In doing so, source recognition is more …
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The Sound of the Sun: Soundscapes and Intermediality in Texts of Heiner Müller
… phenomenon by means of experimentations with sound installation art in order to propose explanations why Müller’s texts lend themselves to the creation of intermedial artworks. The major component of this research are the artworks of 'The Sound of the Sun', which were presented in an …
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Electronic music instrument practice and the mechanisms of influence between technical design, performance practice and composition
… Practice, Technical Design) and through sound installations, crafted media, recorded performances, and the documentation of devices designed for these pieces, it supports the thesis through experimentation and incorpo- ration of results through reflective practice.This thesis examines the …
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Pixel; Ghost
<p>Pixel; Ghost is an exhibition of video and sound installations that explore the creation, change, and degradation of memory, transitional states of mind, and family. The pieces are structured around cinematic clichés such as dream sequences, flashbacks and establishing shots, using them as a …
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Charting the ephemeral : sound installation as embodied, synsonic mapping
This thesis examines the ways in which sound installations aesthetically provide spatial encounters with a location, emphasizing ephemerality, multiplicity, and relationality. Informed by experimental sound practices, spatial studies, and theories in critical cartography, current conceptions of the …
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Breaking the sound barrier: Explorations in experimental sound, art, soundscape research and interactive systems
… between the three core inter-disciplines of sound art, interactive systems and soundscape research as the basis for the creation of a series of unique interactive sound installations and related projects. These works, created and presented by Interactive Agents, the author’s production …
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The Problem of Being the Problem: creating practice-based fieldworking along climate vulnerable coastlines
… performance lectures and immersive film and sound installations which fold in and through each other in a remixing of field data. This data is gathered using alternative ways of sensing such as ritual, augury, conjuring and incantation, as well as methods designed for extended sensing. These …
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A PORTFOLIO OF THREE COMPOSITIONS AND TWO ESSAYS
… Players, and the Cornell Council for the Arts. Sound is a concrete embodiment of tactile experience. Following this belief, I guide this work to the essence of vibration. Buddhist ideas of vibrational equality, and a sonic ontology influence this approach. I use feedback to resonate the bodies …
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Sensor(y) Landscapes : technologies for new perceptual sensibilities
… and continuously collected and streamed. Using sound and vibration as the medium and nature as the setting, I undertook this work in two steps. The first constructs environments suffused with sensing and built for being present in. My projects in this space comprise sensor-driven virtual worlds, …
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Tools for Understanding Electroacoustic Music
There is an arguable lack of activity and interest in the analysis of electroacoustic music when compared to its composition and performance. The absence of a strong and active analytical community is very concerning, as it should be a fundamental part of any larger musical community that wishes …