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Showing 1 to 8 of 8 for “"sonic art"”.

  1. ImponderableSound: Using infrasonic frequencies within sonic art installations

    Imponderable Sound is immersive sonic art sculpture designed for the installation environment that emits infrasonic frequencies with the intention of affecting the human body both internally and externally. Imponderable Sound looks at sensation and the experience of sensation through haptic …

    cent-lancashire Repository record for ImponderableSound: Using infrasonic frequencies within sonic art installations (opens in a new tab)

  2. Phonographies: Practical and Theoretical Explorations into Composing with Disembodied Sound

    … process and the perfannance of the works. It charts out discourse surrounding the different genres of electroacoustic music that the works relate to as well as examining models of work in the respective genres (i. e. sonic art, text.. sound, acousmatic composition, inusique concrite and …

    plymouth Repository record for Phonographies: Practical and Theoretical Explorations into Composing with Disembodied Sound (opens in a new tab)

  3. Practices of Listening: (Re)percussions of Sound, Silences and Censorship from (Post-)Apartheid South Africa

    This project is situated in the area of sonic art and explores my personal biography in relation to sound, silence, censorship and social control. Using the artistic productions of John Cage, I examine silence as both an object—a recording in a fixed medium—and as a verb directly addressing the …

    cape-town Repository record for Practices of Listening: (Re)percussions of Sound, Silences and Censorship from (Post-)Apartheid South Africa (opens in a new tab)

  4. Sound Received: immersion, listening and anthropology

    … contemporary significance of immersion within sonic art and everyday life. This body of work has resulted from research into key issues repositioning the term immersion outside the normal parameters of art investigating the intertwining relationship between immersion, listening and anthrophony. …

    liverpool-jm Repository record for Sound Received: immersion, listening and anthropology (opens in a new tab)

  5. In and Out of Memory: Exploring the Tension Between Remembering and Forgetting When Recalling 9/11, a Traumatic Event

    … psychoanalytical perspectives. Through a layered arts practice of text, sonic art work, and moving and still imagery I examine the tension where trauma meets memory, whether in an attempt to forget, or an effort to remember. Memory in this context is perceived as crucial towards understanding …

    plymouth Repository record for In and Out of Memory: Exploring the Tension Between Remembering and Forgetting When Recalling 9/11, a Traumatic Event (opens in a new tab)

  6. An interactive sonic environment derived from commuters' memories of the soundscape: a case study of the London Underground

    … soundscape in order to create an interactive sonic environment on the Internet. The methodology combines fieldwork and artistic work, focusing on commuters’ perceptions of time and space, and on their sonic memories, as elements through which to interpret the space. The objective of the …

    de-montfort Repository record for An interactive sonic environment derived from commuters' memories of the soundscape: a case study of the London Underground (opens in a new tab)

  7. Te Oro o te Ao: The Resounding of the World

    auckland-tech

  8. The DiY ['Do it yourself'] Ethos: A participatory culture of material engagement

    Do it Yourself (DiY) is a participatory culture which exemplifies a particular ethos in its approach to technology and materials. Rather than engage with ‘complete’ technologies, such as a technology supplied as ready-to-go item, the DiY practitioners examined in this thesis engage with the raw …

    waikato-masters Repository record for The DiY ['Do it yourself'] Ethos: A participatory culture of material engagement (opens in a new tab)