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Showing 1 to 20 of 20 for “"schenkerian"”.

  1. Understanding Schenkerian Analysis from the Perspective of Music Perception and Cognition

    … the perceptual and cognitive reality of Schenkerian theory through a survey of relevant empirical research. It reviews existing Schenkerian-specific empirical research, examines general tonal research applicable to Schenkerian analysis, and proposes the possibility of an optimal empirical …

    ottawa-retro Repository record for Understanding Schenkerian Analysis from the Perspective of Music Perception and Cognition (opens in a new tab)

  2. The Application of Schenkerian Concepts of Musical Structure to The Analysis Segment of Basic Theory Courses at The College Level

    Made available in DSpace on 2014-12-11T17:21:00Z (GMT). No. of bitstreams: 1 7114836.pdf: 5607272 bytes, checksum: ec90e3cbb02841d0a441b9ff63a4dd26 (MD5) Previous issue date: 1970

    uiuc Repository record for The Application of Schenkerian Concepts of Musical Structure to The Analysis Segment of Basic Theory Courses at The College Level (opens in a new tab)

  3. Brahms's Ein deutsches Requiem: dialectic and the chromatic middleground

    … mortal suffering and eternal joy. It takes an Schenkerian approach to the tonal content of the piece, which provides a musical reflection of the human spiritual journey to the afterlife. It examines how Brahms brings his chosen texts to life with the aid of musical processes such as mixture, …

    lsu-thes Repository record for Brahms's Ein deutsches Requiem: dialectic and the chromatic middleground (opens in a new tab)

  4. The Problem of Tonal Disunity in Sergeĭ Rachmaninoff's All-Night Vigil, op. 37

    … that defy monotonal reading, using Schenkerian analytical technique. Movement 12 exhibits relative mutability (pairing of relative keys) at all levels, including the background; movement 1 displays multiple centers related to a proto-harmonic structure (Andreĭ Miasoedov's term); and …

    cuny-grad Repository record for The Problem of Tonal Disunity in Sergeĭ Rachmaninoff's All-Night Vigil, op. 37 (opens in a new tab)

  5. The evolution of Chopin's 'structural style' and its relation to improvisation.

    … context, thus laying the groundwork for a Schenkerian study of Chopin's 'improvisatory' compositions; 2. by analysing most of his early pieces and several mature ones, to define Chopin's 'structural style', i.e" the shared structural principles on which music from different genres was …

    cambridge Repository record for The evolution of Chopin's 'structural style' and its relation to improvisation. (opens in a new tab)

  6. Voice Leading in Fugue

    … of J. S. Bach’s Well-Tempered Clavier from a Schenkerian perspective. In Bach’s fugues, thematic material usually permeates all the parts, making the surface diminutions unusually complex. Given the predominance of the subject, there is a tendency in the Schenkerian tradition to base the …

    cuny-grad Repository record for Voice Leading in Fugue (opens in a new tab)

  7. Sibelius's Seventh Symphony: Genesis, Design, Structure, and Meaning

    … Symphony from historical (source-critical), Schenkerian, and transtextual perspectives. Through a detailed study of its genesis, musical architecture, and meaning, the author maintains that the Seventh, its composer, and its generative process, can best be understood as a series of verges: …

    unt Repository record for Sibelius's Seventh Symphony: Genesis, Design, Structure, and Meaning (opens in a new tab)

  8. Maria Schneider's "Hang Gliding": Dual Analyses for a Hybrid Musical Style

    … pitch class set theory (for the melody) and Schenkerian theory (for the harmony). This analysis demonstrates the growth and decay of the arch form of the piece.

    duquesne Repository record for Maria Schneider's "Hang Gliding": Dual Analyses for a Hybrid Musical Style (opens in a new tab)

  9. Sonority and Linear Structure in Three Early Works of Olivier Messiaen

    … with two contrasting analytic methods: modified Schenkerian linear-reductive analysis, informed by the interaction of diatonic and octatonic collections, and set-class analysis. The latter approach incorporates the harmonic complexity index (HCI) as an innovative harmonic measure calculated from …

    denver Repository record for Sonority and Linear Structure in Three Early Works of Olivier Messiaen (opens in a new tab)

  10. Tonal and Formal Structure in Selected Larger Works of Chopin

    The dissertation named is a Schenkerian investigation of the tonal unfolding, formal subdivision, and performance interpretation of three large Chopin solo works: the Ballade Op. 38, the Fantaisie Op. 49, and the Polonaise-Fantaisie Op. 61, each of which is characterized by rather unusual tonal …

    uiuc Repository record for Tonal and Formal Structure in Selected Larger Works of Chopin (opens in a new tab)

  11. Jonathan Harvey's string quartets

    … Quartet’s multiple structural levels show a Schenkerian global approach. At the local level, a governing principle of integral serialism is found. The Second Quartet’s primary materials derive from a melodic chain. The Third Quartet’s instrumental writing is inspired by electronic music and …

    uiuc Repository record for Jonathan Harvey's string quartets (opens in a new tab)

  12. Harmony, voice leading, and drama in three Sondheim musicals

    … theater in New York. Using an eclectic, neo-Schenkerian approach that draws upon recent work by pop-rock and stage music analysts, it examines the intersection of melodic and harmonic events with dramatic occurrences in the text to determine how Sondheim heightens dramatic narrative within …

    lsu-thes Repository record for Harmony, voice leading, and drama in three Sondheim musicals (opens in a new tab)

  13. Rachmaninoff's Rhapsody on a Theme by Paganini, Op.43; Analysis and Discourse

    … approach is linear in orientation - that is, Schenkerian. In the course of the analysis, close attention is paid to motivic detail; the analytical chapter carefully examines how the tonal structure and motivic elements in the theme are transformed, repeated, concealed, and expanded throughout …

    unt Repository record for Rachmaninoff's Rhapsody on a Theme by Paganini, Op.43; Analysis and Discourse (opens in a new tab)

  14. Polyfocal structures in Franz Schubert's Lieder

    … I propose a new method of analysis that combines Schenkerian analysis with interpretive approaches derived from the work of Harald Krebs, Edward T. Cone, and Patrick McCreless. Cone believes that a third level of hearing should be attained in which one synthesizes the diachronic (naïve) and …

    lsu-thes Repository record for Polyfocal structures in Franz Schubert's Lieder (opens in a new tab)

  15. The four Mephisto waltzes of Franz Liszt

    … by these works, I have used a modified form of Schenkerian analysis. Departures from, or additions to standard techniques are mentioned within the appropriate chapters. Since the four Mephisto Waltzes (especially the latter two) have not been exhaustively analysed, it is hoped that this study …

    ubc Repository record for The four Mephisto waltzes of Franz Liszt (opens in a new tab)

  16. Remystifying Scriabin: Scalar Quality in the Late Works

    … established analytical tools are employed: Schenkerian analysis, Pitch-Class Set Theory, Scalar Theory, sonata-focused theories of form, and notions of ‘Russian’ modular discontinuity. Often, the employment of one method occurs in tandem with another, or others, to generate revealing …

    cambridge Repository record for Remystifying Scriabin: Scalar Quality in the Late Works (opens in a new tab)

  17. Music analysis: Erasure and beyond

    This thesis considers the practice of music analysis as it pertains to various popular musics outside the classical canon. Starting with an analysis of Indian fusion rock song Kandisa, by Indian Ocean, the author demonstrates a methodology rooted in traditional transcription and analysis (in …

    cork Repository record for Music analysis: Erasure and beyond (opens in a new tab)

  18. Mahlerian Tonality: Challenges to Classical Foreground Structures in the Music of Gustav Mahler

    <p>This dissertation presents a detailed study of harmony and voice leading at local levels of structure in the music of Gustav Mahler. The results are grouped into three domains: cadences, common-tone techniques, and the Mahlerian imaginary continuo. An investigation of Mahler’s cadences reveals …

    cuny-grad Repository record for Mahlerian Tonality: Challenges to Classical Foreground Structures in the Music of Gustav Mahler (opens in a new tab)

  19. The Fundamental Unity in Brahm's Horn Trio, Op. 40

    Different sections or movements of a piece are associated with each other and contain the composer essential thought. A vague affinity of mood and a resembling theme or form testifies to the relationship. However, the evidence is insufficient to reveal the unification of the different sections or …

    unt Repository record for The Fundamental Unity in Brahm's Horn Trio, Op. 40 (opens in a new tab)