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Search theses and dissertations gathered from participating repositories worldwide. Every result links back to the library that holds it. No account is needed.

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Showing 1 to 20 of 25 for “"recorded music"”.

  1. Extracting expressive performance information from recorded music

    Thesis (M.S.)--Massachusetts Institute of Technology, Program in Media Arts & Sciences, 1995.

    mit Repository record for Extracting expressive performance information from recorded music (opens in a new tab)

  2. Practice, power and learning in UK recorded music companies

    This thesis adopts a practice-based approach to understanding how power, knowledge and knowing intermingle in organizations to facilitate/constrain individual access to opportunities for knowing-in-practice (learning). It explores how organizational mechanisms and technologies of regulation …

    cambridge Repository record for Practice, power and learning in UK recorded music companies (opens in a new tab)

  3. Comparing live to recorded music and stories using multiple psychoneuroendocrine and psychological measures

    Listening to music brings health benefits, according to an expanding opus of empirical research. Studies to date cover a wide range of music interventions and outcome measures. Music has been applied to healthy participants, as well as clinical populations to target anxiety and pain. But little is …

    edithcowan Repository record for Comparing live to recorded music and stories using multiple psychoneuroendocrine and psychological measures (opens in a new tab)

  4. An investigation of influences on strategic decision-making in popular recorded music industry micro-enterprises

    … the strategic decision-making practices (SDM) in music industry micro-enterprises in the United States. Although a significant body of literature has examined the SDM processes in high-tech firms, manufacturers and other specialty industries, very little has been learned about strategic …

    westminster Repository record for An investigation of influences on strategic decision-making in popular recorded music industry micro-enterprises (opens in a new tab)

  5. An investigation of the critical judgments of undergraduate music students in response to recorded music performances

    … to which critical judgments of undergraduate music students conform to the judgments of recognized music critics. Published reviews identified 177 critically recognized inferior and superior recorded performances of Classical and Romantic compositions of instrumental, keyboard, or choral/vocal …

    uiuc Repository record for An investigation of the critical judgments of undergraduate music students in response to recorded music performances (opens in a new tab)

  6. The Effects of Recorded Music Therapist’s Singing Voice and Recorded Mothers’ Singing Voice on the Transition Preterm Infants from Incubator to Open Crib

    … an open crib and whether one type of stimulus (recorded music therapist’s singing voice or infants’ mothers’ singing voice) is more effective than another. The purpose of this study was to determine the effect of auditory stimulation (recorded music therapist’s singing voice and recorded

    utmb Repository record for The Effects of Recorded Music Therapist’s Singing Voice and Recorded Mothers’ Singing Voice on the Transition Preterm Infants from Incubator to Open Crib (opens in a new tab)

  7. Artist-fan engagement model: implications for music consumption and the music industry

    … explain the various factors present within the music artist-fan relationship. Its premise is based on the simple consumptive action of listening to an artist's music. The model contains two key constructs, the first being the individual's "Response To Artist," which is explained using an …

    alabama Repository record for Artist-fan engagement model: implications for music consumption and the music industry (opens in a new tab)

  8. Music Streaming Platforms Are Artists Getting Paid What They Deserve

    Over the past 25 years, digital music technology has been celebrated as a disruptive force democratizing access to recorded music (Datta et al., 2018; Denegri-Knott, 2015; Giesler, 2008). The assumption is that consumers would always be drawn to a superior, innovative recorded music format that …

    de-montfort Repository record for Music Streaming Platforms Are Artists Getting Paid What They Deserve (opens in a new tab)

  9. Technology strategies for transitioning from products to services

    … lately from virtual products to services. The recorded music industry was focused on understanding the dynamics of transitions from one generation of use to another. The recorded music industry was selected to study as it is one of the most dynamic and rapidly changing industries. Results of …

    mit Repository record for Technology strategies for transitioning from products to services (opens in a new tab)

  10. Portfolio of original compositions

    … exist between the written score and the recorded music. For example: The recording made with Dave Liebman is from 1994. The two compositions from that recording presented in this portfolio, were newly composed pieces at the time. Since then, Waltz for Lenny is a tune that I have performed …

    cape-town Repository record for Portfolio of original compositions (opens in a new tab)

  11. Vocal-Affective Weaning and its role in musical enculturation: children’s interest in music beyond the Infant-Directed Register

    … tacit causal relation between it and all future musical engagement: the former establishes a basis for the latter. However, a mechanistic, observable chain of events linking these two phenomena has only been assumed, remaining for the most part unproblematized and undescribed. This thesis …

    cambridge Repository record for Vocal-Affective Weaning and its role in musical enculturation: children’s interest in music beyond the Infant-Directed Register (opens in a new tab)

  12. Is there a future? : an analysis of the music industry through its history and its strategy for survival in the age of peer to peer & file sharing technologies

    The recorded music business is presently at a crossroads: new technologies have forever changed the way business is conducted, revenues are getting smaller every year, the conversion of revenue origin from sales of physical products to digital ones is not happening at a rate anywhere near what …

    mit Repository record for Is there a future? : an analysis of the music industry through its history and its strategy for survival in the age of peer to peer & file sharing technologies (opens in a new tab)

  13. THE EFFECTS OF MUSIC AMPLITUDE AND CONSUMERS' SEX ON

    ABSTRACT The purpose of this study was to examine music's influence on subjective perception of wait time. Subjective perception of wait time is defined as the perceived duration of a time interval. A convenience sample of forty-one undergraduate and graduate college students (N=41) participated in …

    ku Repository record for THE EFFECTS OF MUSIC AMPLITUDE AND CONSUMERS' SEX ON (opens in a new tab)

  14. Toddler music: a socio-cultural/historical examination of the musical development of two-year-olds and their carers in a child development laboratory classroom

    The purpose of this study was to describe the music and musical practices two-year-olds, their caregivers, and I chose to purposefully engage in together, how this engagement reflected what was valued in various communities of practice they participated in in daily life, how this engagement …

    uiuc Repository record for Toddler music: a socio-cultural/historical examination of the musical development of two-year-olds and their carers in a child development laboratory classroom (opens in a new tab)

  15. The creative destruction of the "winner-take-all" society? Property rights and the economics of the long tail in the music industry

    Technological change has always impacted the music industry, which is now absorbing the destructive effects of the digital revolution. The Internet and MP3s have allowed for illegal downloading and file sharing. For producers, revenue streams have run dry because consumers can get their music for …

    colostate Repository record for The creative destruction of the "winner-take-all" society? Property rights and the economics of the long tail in the music industry (opens in a new tab)

  16. The effect of live music therapy interventions on pediatric patients who are mechanically ventilated and sedated and their caregivers

    … of this study was to assess the effects of live music therapy interventions on pain and anxiety in critically ill pediatric patients ages birth to two years who are mechanically ventilated and sedated as a result of a respiratory tract infection. The research aims were to: 1) Determine the effect …

    colostate Repository record for The effect of live music therapy interventions on pediatric patients who are mechanically ventilated and sedated and their caregivers (opens in a new tab)

  17. Digital copyright law: exploring the changing interface between copyright and regulation in the digital environment

    … in the digital environment, in the context of recorded music. This is in order to explain the problems that rightsholders have had in tackling the issue of unauthorised copyright infringement facilitated by digital technologies. Copyright law is inextricably bound-up with technological …

    east-anglia Repository record for Digital copyright law: exploring the changing interface between copyright and regulation in the digital environment (opens in a new tab)

  18. Cali Pachanguero: A Social History of Salsa in a Colombian City

    … the adoption and resignification of salsa music in Cali, Colombia, as a case study in the development of contemporary popular identity and experience. By the 1980s, Cali emerged on the global scene as an important centre for salsa consumption and performance, but its roots do not originate …

    uiuc Repository record for Cali Pachanguero: A Social History of Salsa in a Colombian City (opens in a new tab)

  19. Crafting the commons : modern approaches to music as product

    … modern approaches to record labels, music as product, and copyright in the music industry were investigated. The possibility of successfully creating, implementing, and operating an independent, not‐for‐profit, commercial record label that services the needs of the South African …

    cape-town Repository record for Crafting the commons : modern approaches to music as product (opens in a new tab)

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